A Quote by Matthew Weiner
Who knows where the talent goes? Sometimes it goes where the money is. Sometimes I think writers are really interested in the glory.
Related Quotes
He that first likened glory to a shadow did better than he was aware of. They are both of them things excellently vain. Glory also, like a shadow, goes sometimes before the body, and sometimes in length infinitely exceeds it.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
All I can do is do my best work, try to create the best kind of moment to moment reality that I can do. That's what I do. I'm an actor. And all the rest of it is like baseball. You hit the ball. Sometimes it goes in the hole. Sometimes it goes to the player.
Every year, I have a tournament in Czech Republic, so there are a lot of things I'm trying to do. Sometimes the money goes towards children; sometimes it's for wheelchair tennis players. I try to change it so everybody gets something.
In sport, the money goes to the talent; it goes directly to the worker - unlike a bank, which sits in the middle of transactions and whose income bears no relation to any of the services it provides.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
Everyone in boxing probably makes out well except for the fighter. He's the only one that's on Skid Row most of the time; he's the only one that everybody just leaves when he loses his mind. He sometimes goes insane, he sometimes goes on the bottle, because it's an intensive pressure sport that allows people to just lose it.
You don't look back along time but down through it, like water. Sometimes this comes to the surface, sometimes that, sometimes nothing. Nothing goes away.
When I start writing, I'll have a vague concept or I'll just have a title, and the song just goes on its own direction. Usually it goes in many directions within each song. They get really convoluted sometimes.
Sometimes writers of no talent at all can write great acting scenes. Sometimes the very best writers can't write scenes that come to life.
My changeup looks like a fastball, but one goes straight and the other goes away from the righthanded hitter. Sometimes it cuts by itself, and I don't know where it's going.
Compassion goes on giving, but knows no feeling of giving, knows no feeling that "I am the giver." And then existence goes on responding in thousands of ways. You give a little love and from everywhere love starts flowing. The man of compassion is not trying to snatch anything away, he is not greedy. He does not wait for the return, he goes on giving. He goes on getting too, but that is not in his mind.
I think that's the real reason, sometimes, that people talk about my stories as being scary, because if you compare what goes on in my stories to what goes on in popular movies and popular songs, it's very mild.
I think words are the thing that either triumphs for you, in your desire to communicate something, or fails. I love language because when it succeeds, for me, it doesn't just tell me something. It enacts something. It creates something. And it goes both ways. Sometimes it's violent. Sometimes it hurts you. And sometimes it saves you.
Narrative should flow as flows the brook down through the hills and the leafy woodlands...a brook that never goes straight for a minute, but goes and goes briskly, sometimes ungrammatically, and sometimes fetching a horseshoe of ¾ of a mile around and at the end of the circuit flowing within a yard of the path that it traversed an hour before; but always going and always following at least one law, always loyal to that law, the law of narrative, which has no law. Nothing to do but make the trip; the how of it is not important, so that the trip is made.
I like to create provocative imagery. Sometimes it works, and sometimes it goes awry.
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