A Quote by Matthijs van Heijningen, Jr.
Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.
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Scenes change all the time. Scenes will change while you're shooting them, and you just have to roll with it 'cause that's what makes it funny. It's not being stuck in your character and how you're gonna do something, but to react to other people and to really have a real-life conversation.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.
I fractured my hand while shooting for 'Bullet Raja,' while we were shooting in Nashik.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
There are so many things going on in your head while shooting bold scenes. On screen it might look sensual, or hot and great. But when you're shooting for it, you need to take care of so many things.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.
Direction is something that interests me. Even while shooting, I always have conversations with the director to get a better understanding of shooting technicalities.
While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.
The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.
While shooting for 'Kaatru Veliyidai,' I was living my childhood dream of working with my favourite director. It was surreal and thrilling at the same time.
This will sound really funny, but I'm so used to shooting in Hindi that shooting in English took a while to get used to.
I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.
I never had any apprehensions while shooting for intimate scenes, we are all actors. The only apprehension would be about who are the people who are working on that particular project.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
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