A Quote by Mason Ramsey

I like going around everywhere and singing to people. — © Mason Ramsey
I like going around everywhere and singing to people.
There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.
I didn't understand that I could sing until I was like 11 or 12. My mom heard me singing around the house and she said, What are you doing? You really can sing! So then I started going to school and singing to the girls.
Everywhere was singing, all over the house was singing, and outside the house was alive with singing, and the very air was song.
Throughout the whole Stroll album, I'm breaking barriers. Whether I'm doing acoustic hip-hop, singing my own hooks or singing my own verses... There's always going to be people who don't like it, cause they're stuck in their ways, or they just don't like you in general... but it's been good.
I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
When I started singing, I was going to school. I remember some of the people in school singing, and they had a choir. I would just watch and listen. Finally I started at least attempting to try to do what they was doing. When I was younger, we started going to church. I can't say that we were always, you know, the most church-going people.
That was pretty crazy, going from singing in my room to singing in front of 5,000 people.
Japanese people are not known for expressing their feelings through singing and dancing, but I like to sing a lot. I don't just sing to myself in the shower. I sing everywhere.
I like it when people are opinionated. I like an opinion. I like people that will fight for their opinion 'til an argument and through an argument. When they believe in something, they fight for it. I like those people that are perhaps sometimes too full of life - perhaps it's very difficult to be around them; they're not easy going. But I like being around people like that.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
Some people like my singing. But it sounds like bad singing to a lot of other people.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
Let me explain something to you. Look around here. How many people do you count? Sixty, eighty, eighty people? Greeks, Germans, Italians, French, Americans. Tourists from everywhere. Eating, drinking, talking, laughing. And from Bombay - Indians and Iranians and Afghans and Arabs and Africans. But how many of these people have real power, real destiny, real dynamic for their place, and their time, and the lives of thousand of people? I will tell you - four. Four people in this room with power, and the rest are like the rest of the people everywhere: powerless, sleepers in the dream.
If you're going to wear a cowboy hat, you're going to have to go all the way. You should have livestock around you, settle all of your disputes with a pistol, and ride a horse absolutely everywhere.
People don't talk about small-town racism in Illinois or upstate New York. They're like, 'It's the South.' And it is. It's there. But it's everywhere. But everywhere, there are also amazing people.
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