A Quote by Maury Povich
Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.
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Network television has been attempting to lure viewers for years with its low-interest programming only to have those viewers discover later that their brains are bankrupt.
It's been possible for years to use a PC to watch and record over-the-air television broadcasts, and unencrypted cable television tuners have been available almost as long. But for a long time, you could only watch copyright-protected channels with a cable company-leased box.
I've been watching American baseball on television for a long time, but it was only in recent years that, realistically, I've been thinking about playing here.
I missed the television train at some point. I don't know what happened, but now I've created a complex about it. I'm missing out on what everybody's watching, and now I can't even begin to think about starting to watch a television show because it's been so long. I don't even have a Netflix account.
I've been working in television for a long time, and I know all aspects of television.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
I think I entered the market around the time when there was getting to be less snobbery about the difference between feature films and television. I think there's been a lot more receptivity on television to interesting adult stories that in the '60s and '70s would have been made into feature films. I have no problem jumping back and forth. If anything, I find it less restrictive working in television.
It's not like television is now for women who have been put out to pasture. Television is for everybody.
I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.
It's just amazing how television permeates the entire world from people who are just listeners and viewers to people of considerable importance who find relaxation watching television. Somebody called it a talking lamp. Television, that is.
I know there have been some catastrophically unpopular programmes on television over the years. Has it ever got to the point where the only person still interested in what's happening is the person who's on the telly?
Television is making, there was in independent film renaissance late '80s through the mid-90's. It was an amazing time. Television is doing that right now. So that's why everybody wants to do it. I mean if you're writing stuff like, you know, Fargo, or True Detective, or any of these things that are on, Breaking Bad, there are no rules in television.
I don't know exactly when I started watching television, but I know that Muppets and Smurfs hold privileged places in my memory. Without television, I surely could have mastered several classical languages or learned to play the violin, right?
I think everything keeps changing. There was a time when television was a bad thing for actors and it meant that you could only do television, and now we see everyone does television.
Every time someone does a Western movie, people flock to it. It's like, we're continually programming to people who are least likely to watch us. People in Nebraska aren't watching things on the computer, they're watching television. Why aren't we programming things for them? We only program things that appeal to New York and Los Angeles and in many ways spit on the rest of the country.
It's been 50 years since I was on the roof of my parents' house shooting Hag in a Black Leather Jacket when I didn't even know there was such a thing as editing. I thought you just shot the film and showed it. That's exactly what I did. I'm not that different 50 years later.
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