A Quote by Max Martin

A great pop song should be felt when you hear it. — © Max Martin
A great pop song should be felt when you hear it.
The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over.
I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating you and exposing you to things you would never hear otherwise.
You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.
A Hard Day's Night' is the most perfect pop album you'll ever get to hear in your life; it's filled with definitive versions of the two-minute pop song.
When I hear myself singing, I hear Iggy Pop and Jimi Hendrix. There's a conversational thing going on. I suppose it depends on which The Pretenders song you're listening to.
I really felt like 'Chandelier' was a big pop song. But we weren't sure what would happen if I wasn't willing to show my face and do promo and go on tour and do the traditional kind of pop strategy. So I had no expectations.
I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.
Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
At the end of the day, all people want to do is hear a great singer sing a great song. They don't care about what vocal changes it went through. You can't screw up a great song and a great singer.
Making a record's a real fight for me. I'm constantly fighting with this thing inside of me that says I should be sitting in a room with Matthew Shipp or I should have Han Bennink on drums or this song should be playing for the next 20 minutes in my head, not a silly little pop song. It's constant.
I hear a really good pop song every now and then. 'ROAR' by Katy Perry, I love that! 'Poker Face'... Oh! What a song! And 'Rolling in the Deep'... Oh!
You can hear songs that are technically great, songs that tick all the boxes. But for a song to be felt, you need something else.
Pop is like a puzzle: to write a perfect pop song, you never know, and there's so much that can happen in a second with a song.
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