A Quote by Max Schmeling
I received a letter from the Reich Ministry of Sports. They want me to split from Joe Jacobs, my manager since 1928.... I really need Joe Jacobs. I owe all my success in America to him.
Related Quotes
You owe me!" -Stephanie "Why do I owe you?" -Joe "I caught your no good cousin." -Stephanie "Yeah and in the process you burned down a funeral home, and damaged thousands of dollars of government property." -Joe "Well if you are going to be picky about it...." -Stephanie
I was in the classroom four days after the inauguration, because I said to Joe when we got elected, 'Joe, I really want to continue to teach.' And he said, 'Absolutely. You should be doing what you love.' Politics - that's Joe's life, really, his love. But teaching is mine.
I am Marc Jacobs by birth, but we are Marc Jacobs by the company that we built.
I owe a large part of my success to Joe Brown, who helped me both as a player and a person.
There are things about Joe Torre, if I wanted to come out and say, would show how cold and calculated he really is... Joe Torre is for Joe Torre. ... The graveyard of Yankees coaches is loaded with bones of coaches Joe Torre did nothing about.
I got very well acquainted with Joe Stalin, and I like old Joe! He is a decent fellow. But Joe is a prisoner of the Politburo.
I don't know what Joe (DiMaggio)
wanted (in regards to being called 'the greatest living ballplayer'), but I don't have a problem, if he wanted to do that. He was my hero. Joe
was the best all-around player. Joe
was the best. I only played against him once, in the '51 Series.
I wore the Marc Jacobs dress, so I love Marc Jacobs. He has a vintage flair. But I've always worn a lot of vintage stuff, so it hasn't been a lot of designers. If I see something that I like, I just buy it.
It can't be supposed," said Joe. "Tho' I'm oncommon fond of reading, too." Are you, Joe?" Oncommon. Give me," said Joe, "a good book, or a good newspaper, and sit me down afore a good fire, and I ask no better. Lord!" he continued, after rubbing his knees a little, "when you do come to a J and a O, and says you, 'Here, at last, is a J-O, Joe,' how interesting reading is!
I had listened to Joe Turner. When they'd book Joe there, I'd play the blues behind him.
Around '62 in Baltimore, all the girls had those big hairdos. And then suddenly, a few of the really hip ones started doing their hair straight. And people panicked. And it was called going 'Joe,' meaning Joe College. And people would say, 'I don't know. Should I be 'Joe'? I can't decide.'
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
When Joe Rogan started his podcasts he'd have me, Joe Diaz, and all our friends help him for the first few. And I told him 'Dude, no one will listen to audio that's over an hour long. You've got to end it at 59:59 or less.' And I was way wrong.
Jane Jacobs work wouldnt have been complete if it hadn't inspired others to carry it on, and evolve Jane's groundbreaking accomplishments so that the essential kernel of thought remains relevant for future generations. The essayists in What We See have built on those essential footholds that people who have never heard of Jane Jacobs will benefit from for decades.
G.I. Joe is not shown in Korea at all, basically, so a lot of people didn't know about G.I. Joe and I also didn't have the information about G.I. Joe.
Joe: You don't want me, Sugar. I'm a liar and a phony. A saxophone player. One of those no-goodniks you keep running away from. Sugar: I know, every time. Joe: Sugar, do yourself a favor. Go back to where the millionaires are, the sweet end of the lollipop, not the cole slaw in the face, the old socks and the squeezed-out tube of toothpaste. Sugar: That's right. Pour it on. Talk me out of it. (She grabs him to kiss him.)
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