A Quote by Max Schneider
I saw my first two Broadway shows when I was 4 years old, 'The Lion King' and 'Beauty and the Beast,' and after both of them I came home and reenacted the entirety of the shows on my living room table for my family and friends. I started doing that after every show I saw until I actually did my first youth production when I was 5.
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When I saw my first Broadway show, 'Beauty and the Beast,' I was like, 'Okay, I'm definitely gonna do this.' After that, I did little shows and started auditioning.
My first Broadway show wasn't until I was a freshman in high school. It was my first trip to New York. I came with a group of theatre kids, and we saw four shows. The very first one was 'Contact.'
I think the first Broadway show that I saw was 'Beauty and the Beast,' and that was in 5th or 6th grade. Our school would take bus trips up to see shows, and so it was on one of their bus trips that I got to see 'Beauty and the Beast.'
I was 11 or 12 years old when I first saw 'Reservoir Dogs.' I remember after I saw that film, I kept renting it from the video store because I wanted all of my friends to see it.
I saw my first Broadway show when I was 10 years old. I saw 'Big: The Musical' and I remember going out to dinner with my mom afterward and reading the souvenir program like crazy!
My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.
In '92, I got my first Broadway show as a performer - 'Crazy for You.' I was in the ensemble. In fact, I was in eight Broadway shows as a dancer. Seven of them were original shows. That's how I learned to create something from the ground up.
I had started doing small community theater shows in my hometown of Cleveland. I did a lot of shows there before I met this director who told me, 'Listen, I really think you could be on Broadway.' And I was like, 'No, that's crazy.' I didn't believe it... I was 9, maybe 8 years old at the time, and I was like, 'No. No way.'
The first time I saw a review of one of my permaculture books was three years after I first started writing on it. The review started with, "Permaculture Two is a seditious book." And I said, "At last someone understands what permaculture's about."
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
The first thing I did when I got inside was turn on the kitchen light. Then I moved to the table, putting my dad's iPod on the speaker dock, and a Bob Dylan song came on, the notes familiar. I went into the living room, hitting the switch there, then down the hallway to my room, where I did the same. It was amazing what a little noise and brightness could do to a house and a life, how much the smallest bit of each could change everything. After all these years of just passing through, I was beginning to finally feel at home.
I did a different production with a different director and Bill Pullman. Oleanna - the one you saw - we were doing right after Bourne Identity or right after it came out.
When I was 15 years old and in the tenth grade, I heard of Martin Luther King, Jr. Three years later, when I was 18, I met Dr. King and we became friends. Two years after that I became very involved in the civil rights movement. I was in college at that time. As I got more and more involved, I saw politics as a means of bringing about change.
When I was 15 years old in the tenth grade, I heard Martin Luther King, Jr. Three years later, when I was 18, I met Dr. King and we became friends. Two years after that I became very involved in the civil rights movement. I was in college at the time. As I got more and more involved, I saw politics as a means of bringing about change
I remember when I first came to America and I saw posters for TV shows and I was like, "What?! Why does a television show deserve space on a billboard?"
I saw Ronnie Hawkins play near my hometown, Port Dover, Ontario, and I saw him play there on New Year's Eve and the following spring I booked myself to be his opening act on maybe five shows, and he hired me after the first night.
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