A Quote by Maximillian Degenerez
Insight into character comes from listening intently to the spoken word. The physical person, their charisma, charm and dramatic flair is more often used to persuade audiences, as they use these stealth tools of disguise and deception.
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Beauty is an asset, just like physical prowess, charisma, brains or emotional intelligence. The key with any gift is in the way that you use it. It doesn't define you as a person. Rather, it's an asset to be used judiciously and with an understanding of how it is just a small part of who you are.
If you are deaf, you need captions for spoken elements. If you are blind, you need voiced descriptions of Web contents and spoken renderings of e-mail. The range of physical disabilities is very large, and we need many different tools to overcome the consequential barriers to Internet use. Let us commit ourselves to truly assuring that the Internet really is for everyone.
No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.
Charm is an intangible. Chutzpah, charm, charisma, that kind of thing, you can't buy it. You either have it or you don't.
The reason why people are huge stars is nothing to do with acting. It's the magic. Charisma is a word that's used too often; it's something special, and it's what makes stars. It's luck, and basically, it's genes.
People who use LSD today know how to use it. Therefore, I hope that the health authorities will get the insight that LSD, if it is used properly, is not a dangerous drug. We actually should not refer to it as drug; this word has a very bad connotation. We should use another name.
I appreciate the written word and spoken word more, but Atonement sort of established so much of me. It was a character that didn't really speak, and I found that a lot of the roles I was gravitating toward after that were kind of nonverbal.
I think that American audiences are more used to following one character.
Comedy is like fictional charm. It's the charm of fiction. Or the charisma of fiction. When you meet somebody who's immediately charismatic, you're attracted to that person. And in fiction it's got to come out in either one of two ways: in the prose itself, and you're hooked immediately because you never want to leave such a colorful and penetrating world. Or, it's simply being a funny writer.
If I had had to write only about imaginary people, I would have had to close up my typewriter. I wrote about my life in less and less disguise as I grew older, and finally with no disguise - except the disguise we create for ourselves, which is self-deception.
More and more I've come to understand that listening is one of the most important things we can do for one another. Whether the other be an adult or a child, our engagement in listening to who that person is can often be our greatest gift. Whether that person is speaking or playing or dancing, building or singing or painting, if we care, we can listen.
Listening is a rare happening among human beings. You cannot listen to the word another is speaking if you are preoccupied with your appearance, or with impressing the other, or are trying to decide what you are going to say when the other stops talking, or are debating about whether what is being said is true or relevant or agreeable.
Such matters have their place, but only after listening to the word as the word is being uttered.
Listening is a primitive act of love in which a person gives himself to another’s word, making himself accessible and vulnerable to that word.
Stevie didn't use the technology to drive the song. He used it to enhance. I use the tools to further my work, I don't use my work to further the tools.
First person allows deeper insight into the protagonist's character. It allows the reader to identify more fully with the protagonist and to share her world quite intimately. So it suits a story focused on one character's personal journey. However, first person shuts out insights into other characters.
Very often in everyday life one sees that by losing one's temper with someone who has already lost his, one does not gain anything but only sets out upon the path of stupidity. He who has enough self-control to stand firm at the moment when the other person is in a temper, wins in the end. It is not he who has spoken a hundred words aloud who has won; it is he who has perhaps spoken only one word.
Realism's anxieties are not my anxieties, but I think I've had its tools close at hand all along. It may be that I'm reaching for them more often than I used to. On the other hand, I'm making no promises for the future. The material itself always gets the last word.
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