A Quote by Maya Hawke
It's really easy as an actor just starting out to get into the mindset that you only get one break. But my parents have shown me that's not true.
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I vape with my parents in my house. My parents don't really get high, which bums me out. But I vape with them around. It's just like a glass of wine. The family of the future is parents and kids who get high together. That is crazy to me, but it's so cool. I like the fact that my parents are fine with it, even if they won't do it with me.
It's easy to get jaded. It's easy to get lazy. It's easy to get too self-centric, like, 'Why me? What about my needs?' It has nothing to do with that. But you see, you are the thing you are selling whether you are a director or an actor in this business. It's very tough. The town doesn't realize that its greatest resource is its people.
I know that starting out as a young band, it's really easy to get lost with bands that sound the same or with the plethora of music that's out there.
When first starting to work with someone you try to get them in the same mindset that you were in when you were successful, and I realized the best thing you can ever do is realize that they are not you. They have a different persona and mindset, and you have to figure out what works best within your communication with that athlete.
I'll make phone calls. I'll call anybody and knock on any door to try and get a location, or get an actor, or get an actress. But no, it was just very easy. We just hit the ground running.
If I get married I get a tax break, if I have a kid I get a tax break, if I get a mortgage I get a tax break. I don't have any kids and I drive a hybrid, I think I should get a tax break. I'm trying to pay off my apartment so I have something tangible. I actually figured out if I paid off my place my reward would be that I would pay an extra four grand a year in taxes.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
Parents don't get that, though. They don't understand about the fragility of teen friendships. They don't understand how easy it is for things to break apart, how someone you thought would be by your side forever can just disappear, or turn on you, or decide she likes someone more than she likes you. Parents always talk about romantic relationships being so ephemeral and fleeting in high school. What they don't get is that friendships can be the same way.
I went to LA because my parents were there and somebody asked me if I wanted to be in a movie. It was easy, it wasn't easy to do, but I fell into it. I made a living as an actor for a long time, but I didn't think of myself as an actor, I thought I was a writer.
I just people to get big bang for their buck. I just feel like I am really lucky that I still get the support that I do from my fans when it is so easy to download music for free. When fans go out and support and buy my music that really means a lot to me so I want to make sure that I give the very best I can when selling a product.
I know with me, you really have to, like, pound me over the head to say, 'I like you. I really like you' to get me to see it. I think if you're too passive, you just fall into that friend role. And that's hard to break out of.
I don't really say too much to my parents. If they ask me to do something I just do it and get it out of the way.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
That's really just the worst part of life really, you get bracketed somewhere and the next thing you know people are saying, 'No. No. That's not the type. Get me so and so.' I'm not a type. I'm an actor.
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