A Quote by MC Serch

I really like John Legend as an artist and as a person. As well as Lyfe Jennings. Jeezy is good people as well. I like to interview Nick Cannon. He always has something interesting to say. I still enjoy talking to Jay-Z or Nas which was weird since we had so much history. I also enjoyed talking to the Mayor of Detroit as politicians because they need to hear the hip hop side of the community that they don't hear from on a regular basis.
Well, we have to realize the truth about the person who is a hip-hop insider. Most of these people are not really insiders. They are people who are chosen to do an interview and they will make a statement and say that they are a part of the hip-hop culture, but from an intellectual standpoint, they are not very sharp, because back in '1990..'91 one would criticize somebody for doing one type of commercial and say that's not real hip-hop and then another rapper turns around and sell them malt liquor and say that's real hip hop.
My dream guests are really not so much celebrities. They're people who are actually interesting and they're doing something interesting with their lives or had an interesting experience in some way. I really enjoy talking to regular, everyday people.
When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.
Whenever I've encountered a Christian saying, 'Why don't you stop talking like that so I can hear you?' I think, 'Well you're the one putting the earmuffs on, but I wish you could hear me because I like you.'
Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.
I have always been involved with radio, whether it was as an artist talking to radio about my own songs, or as a promotion man at Def Jam to working records through my company. In 2000 I was asked to host a show in Norfolk VA and through that show I was then asked to host the morning show in Detroit. The concept of the show was around Hip Hop. We were active in the community and we wanted to do a local show that had a hip hop feel around it.
I've been wanting to do music since I was 14, but like I've really always enjoyed giving speeches and I enjoy talking to people, so I was like, maybe I can be a newscaster.
I love talking baseball. I think it's an interesting subject, I think it's something I'm familiar with. It's something I can constantly learn about, I do like talking with the fans and I do like talking with everyman. I really enjoy it.
Legions of young hip-hop fans are as against this as hip-hop's most fierce critics. There is a huge underground movement within hip-hop circles that against these representation. You can hear this message on tons of lyrics and rap songs produced by independent emcees. But they are fighting against a well-oiled and well-financed machine.
I love hip-hop. I'm big into Jay-Z, Kanye, Little Wayne. Those are everyone's favorites, I know. I just like the fact that when they get on track and talk about whatever they're talking about, they have supreme confidence. That's pretty much what you need to have on the field. I like the way they approach their music, they feel like no one can touch them.
You hear people say, 'Well, I was going to say this, but I knew I couldn't get through it without crying.' Well, like, think of all the great things we didn't hear because of that.
I can read in any book and newspaper about the city of Detroit, but I want to hear what the people in Detroit have to say about Detroit. My best education is actually talking to people.
I hear Republicans and Libertarians and so forth talking about property rights, but they stop talking about property rights as soon as the subject of American Indians comes up, because they know fully well, perhaps not in a fully articulated, conscious form, but they know fully well that the basis for the very system of endeavor and enterprise and profitability to which they are committed and devoted accrues on the basis of theft of the resources of someone else. They are in possession of stolen property. They know it. They all know it. It's a dishonest endeavor from day one.
You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop.
Hip-hop is my girlfriend, hip-hop is my kid. Hip-Hop fills the void of the things that I don't have. I pay it 101% attention. I don't think I could be as good a father, or as good a husband or anything like that - the way I am as an artist - until I'm not an artist anymore.
I'd like to see people pay attention to the science of hip hop. The knowledge part, the political side of what hip hop could do, or where hip hop is gonna go. I always say it's gonna become universal as we become a galactic union.
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