A Quote by Meher Baba

Art is one of the sources through which the soul expresses itself and inspires others. But to express art thoroughly, one must have the inner emotions opened thoroughly. — © Meher Baba
Art is one of the sources through which the soul expresses itself and inspires others. But to express art thoroughly, one must have the inner emotions opened thoroughly.
A great work of art is one that truly moves and inspires you. You yourself must be moved. Don't look at art with others' eyes. Don't listen to music with others' ears. You must react to art with your own feelings, your own heart and mind.
The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province ofwoman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.
Art does not exist for itself; it is but an avenue through and by which humanity expresses itself.
A wellborn mind that is practiced in dealing with people makes itself thoroughly agreeable by itself. Art is nothing else but thelist and record of the productions of such minds.
Real art, like the wife of an affectionate husband, needs no ornaments. But counterfeit art, like a prostitute, must always be decked out. The cause of production of real art is the artist's inner need to express a feeling that has accumulated...The cause of counterfeit art, as of prostitution, is gain. The consequence of true art is the introduction of a new feeling into the intercourse of life... The consequences of counterfeit art are the perversion of man, pleasure which never satisfies, and the weakening of man's spiritual strength.
Art is not an end in itself. It introduces the soul into a higher spiritual order, which it expresses and in some sense explains.
It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
Focusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline.
Dance is an art that imprints on the soul. It is with you every moment, it expresses itself in everything you do.
The data, however, do indicate that Christians who see Jews through a 17th-century lens, believing that most are thoroughly religious, are thoroughly wrong.
Cold exactitude is not art; ingenious artifice, when it pleases or when it expresses, is art itself.
Art is often born from inner struggle. Artists are plagued by impulses they must express. Contentment does not seek action but struggle always seeks release, and for the creative it can take the form of art.
God, the supreme artist, uses our life for the creation of art. We are the instruments through which the force of life expresses itself.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
As for borrowing Mr. Whistler's ideas about art, the only thoroughly original ideas I have heard him express have had reference to his own superiority as a painter over painters greater than himself.
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