A Quote by Melanie Lynskey

I know my mother-in-law would drive two hours to go see a movie that I'm in. — © Melanie Lynskey
I know my mother-in-law would drive two hours to go see a movie that I'm in.
War today is such a more visible thing. We see it on television, on CNN. In 1914, war was a concept. There was a naivety and stupidity that war would be a great lark. It's not that different from Gone With The Wind, where all the young men can't wait to go off to fight and then two hours later in the movie, we see how the reality of that has come home to them.
But i think it would drive me more crazy to just go do a movie that I didn't believe in, you know?
Yet you would not drive a car with your mouth unless you are my mother-in-law.
I went to Coachella once, and it was only to go see Leonard Cohen. I got in the car and sat through all the crazy traffic in L.A. to get there - instead of a two hour drive, it takes, like, six hours. Then I watched his set and turned around and left. I just so wanted to see him perform in the desert.
I really wish it would only take two hours to make a two-hour movie.
Africa is one of my favorite places because there are so many things to do - either surfing or going to see the animals. You can drive two hours or six hours up the coast - or just 15 minutes up the road - and it's probably something you haven't seen before.
With Dawn I was afraid people would just think it's a B-movie and I didn't know what I was doing. That's really what I was afraid of. Like the subtlety of the movie they would miss. If the movie succeeds, it's that people understand the subtlety. That they're able to see past the conventions of what they think a movie is and go a teeny bit deeper and let it be both.
I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done.
I used to be sick of the backroads of Minnesota. I had to drive 30 miles to get home every day, take the schoolbus for two hours. But to drive through America and see the backroads, from Nashville to Memphis, Lovick to New Mexico, was incredible. It was probably the greatest trip of my life.
If you go to a bad movie, it's two hours. If you're in a bad movie, it's two years.
This is not a documentary. Are there essential truths that are captured by this movie? I think unquestionably the answer is yes. Do you have to change certain things to make it work? The book is called '13 Hours'; the movie is two hours long.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
You can do things with TV that you just can't do on film. There's so much more time: there's the opportunity for development, and you can let things lay dormant for a period. You can't really do that in two hours or three hours in a movie that often, I would say.
I drive a V10 Ford Excursion and I have to tell folks all the time: look I've got five kids and a dog and birds. I would have to have two Lincolns with two V8s, you see, so it would be 16 cylinders.
Anytime you see a Hungarian, kick him. He'll know why. Any two philosophers can tell each other all they know in two hours.
"The Prince Of Tides" is a lot about my mother - what my mother would do after Dad would hit one of the kids or hit two of the kids, hit all the kids, hit her, she would usually get in the car. We'd drive out. She would say, I'm going to divorce him. I'm never going back.
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