A Quote by Melanie Mayron
As a producer and director, I've tried for years to get properties off the ground for girls, and I've been hitting a brick wall.
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If I was in the gutter, and my kids lived on the kerb, I'd go and get a job in B&Q before I'd reform the Roses. I gave everything I had to the Stone Roses and ended up hitting a brick wall. I'm never going to give anyone a foothold on that wall again.
You don’t try to build a wall, you don’t set out to build a wall. You don’t say ‘I’m going to build the biggest, baddest, greatest wall that’s ever been built.’ You don’t start there… You say ‘I’m going to lay this brick as perfectly as a brick can be laid.’ And you do that every single day and soon you have a wall.
Is there a brick wall getting in your way? Fine. That happens. But you have a choice. You can walk away from the wall. You can go over the wall. You can go under the wall. You can go around the wall. You can also obliterate the wall. In other words, don't let anything get in your way. Get a balance, and then let the positive outdistance the negative.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
Climbing at altitude is like hitting your head against a brick wall - it's great when you stop.
I went off and did 'Space,' which turned out very well, and when the series was picked up, my options were to stay with 'Space' as a producer/director or go to 'The X-Files' as a producer/director.
As far as getting my start, it was really Norman Lear, even aside from being on 'All in the Family.' He helped me get my start as a director. He was the one who said, 'Let him do 'Spinal Tap.' Let him give it a try,' because I had been trying for years to get that thing off the ground.
I wasn't accepted the first time I tried to get into drama school. I said, 'I'll give this one more shot... and if that doesn't work, I won't bang my head against this painful brick wall.'
When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn't be a brick wall. So I'd sidle over to the door and I'd pull it open.
When Christian pushes into the brick wall of the building catty-corner to the rear of BB&B—first left on the Dark Zone side—and disappears, I melt down in a fit of the giggles. I toss a rock at the spot where he vanished. It bounces off the brick and clatters to the cobblestone. I'm feeling twenty shades of Harry Potter's train station, especially when he pokes his head out of the wall and says impatiently, "Come on, lass. This is hardly my favorite place to be.
If you've got a Corvette that runs into a brick wall, you know what's going to happen. He's a Corvette. I'm a brick wall.
Earlier in my career, I needed to be the writer, casting director, set designer, leading man, and producer. I've been eliminating a lot of those jobs. I'm an executive producer right now. I still get to pick the best screenplays.
[...] and as I walked, I tried to see the funny side. It wasn't easy, and I'm still not sure that I managed it properly, but it's just something I like to do when things aren't going well. Because what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying that the second car is much better off than the first.
Life is brought down to the basics: if you are warm, regular, healthy, not thirsty or hungry, then you are not on a mountain... Climbing at altitude is like hitting your head against a brick wall - it's great when you stop.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.
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