A Quote by Melissa Leong

The symbolism of certain foods trip the nostalgic wire in all of us, whether the context is cultural heritage or geographic location. — © Melissa Leong
The symbolism of certain foods trip the nostalgic wire in all of us, whether the context is cultural heritage or geographic location.
I think one can live in American society with a certain cultural heritage, whether it's an African heritage or other, European,what have you, and still absorb a great deal of this culture. There is always cultural assimilation.
Distinctly American poetry is usually written in the context of one's geographic landscape, sometimes out of one's cultural myths, and often with reference to gender and race or ethnic origins.
I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.
Food history is as important as a baroque church. Governments should recognize cultural heritage and protect traditional foods. A cheese is as worthy of preserving as a sixteenth-century building.
India is not, as people keep calling it, an underdeveloped country, but rather, in the context of its history and cultural heritage, a highly developed one in an advanced state of decay.
A child's geographic location, race or parent's income level should not predetermine their life's course and it's up to us to see that they don't.
Dante can be understood only within the context of Italian thought, and Faust would be unthinkable if divorced from its German background; but both are part of our common cultural heritage.
I think context, location matters a lot. Because location obviously in my situation, it's the space in which the work is going to be exhibited. And since some of the work I do is created onsite, it requires a different type of space, versus the smaller drawings or more subject-oriented work. So that the context becomes important.
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
I don't have one geographic location that I'm exclusively loyal to.
I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.
I'm a purist when it comes to certain foods, and al pastor tacos (known as adobada tacos to us in Tijuana) is one of those foods. I lived off them - literally.
I think certain people would be moved to be nostalgic about America's glory days, when the music set the tone for the cultural conversation and popular musicians had this absurd level of authority.
Ask any real estate broker to name the three most important factors in buying a property, and he'll say: "Location, location, location." Now ask him to name the chief justice of the United States Supreme Court, and he'll say: "Location, location, location." This tells us that we should not necessarily be paying a whole lot of attention to real estate brokers.
The sickly cultural pathos which the whole of France indulges in, that fetishism of the cultural heritage.
The Japanese director Tadashi Suzuki once stated, 'International cultural exchange is impossible - therefore we must try.' I agree with all my heart. The impossibility of seeing beyond one's own cultural context is a political act in the world and has the potential to break down the rigid assumptions surrounding us.
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