A Quote by Melissa McCarthy
I have caught my reflection and thought, 'Oof. That girl is struggling. That girl is tired.' I've had mornings where I'm like, 'Oh God, I have weird hair.'
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I never lived the life of 'Oh, you're so good-looking'. People thought I was a girl when I was little, because I looked like a girl-maybe because my mother would keep my hair really long in a bowl cut. I was in a coffee shop once and the waitress was like, 'What do you want, Miss?' I was 10 or 11-the worst age to have that happen. I had a jean jacket on and a Metallica pin. I thought I was really cool.
I want girls to feel that they can be sassy and full and weird and geeky and smart and independent, and not so withered and shriveled. (The American Apparel ads) I'm over this weird, exhausted girl. I'm over the girl that's tired and freezing and hungry. I like bossy girls. I like people filled with life. I'm over this weird media thing with all this, like, hollow-eyed, empty, party crap.
I had started acting when I was 7, and I was always wrong. I would always get to the very end [of the audition], but I wasn't a perfect package of one thing. I wasn't a cliche, and it always worked against me. I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl. Then there was a TV show that Toni Collette was starring in. And when a role to play a girl who was struggling with identity came, I thought: "Oh, this is what I was supposed to do. Everything's leading up to this moment." I was 18. I was like, "This is it." I didn't get it. And I was devastated.
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?'
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?
It's a GIRL. It's a little girl, with scrunched-up petal lips and a tuft of dark hair and hands in tiny fits, up by her ears. All that time, that's who was in there. And it's weird, but the minute I saw her I just thought: IT'S YOU. Of course it is.
I've had a few encounters: At a restaurant, this woman that was like, 'Oh my God, oh my God, can we take a picture with you? My son said not to, but I just had to. You my favorite 'Devils Girl!'
You're not that girl,' Cole said, sounding tired. 'Trust me, I've seen enough of them to know. Look. Don't cry. You're not that girl either.' 'Oh yeah? What girl am I?' 'I'll let you know when I figure it out. Just don't cry.
Can you be a girl for a few seconds?" "I'm always a girl" I frown. "You know what I mean. Like a silly, annoying girl" I twirl my hair around my finger. "Kay.
You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes.
I didn't fall into the category of the 'classic Bond girl.' I had short hair - and no Bond girl before me ever had. They put me in a wig at the beginning of the film, and then had my character cut her hair to pretend to be someone else. That was to explain why my hair was short.
I'm kind of the model that everyone thought would always be the Guess, 'Sports Illustrated' girl. Then, when I started to do high fashion stuff... people were like, 'Oh, so we can have a girl with, like, thighs and a butt in a Tom Ford campaign. Cool.'
I used to always want a boy, and when I had a girl, I thought I wasn't going to like it, but I love having a girl.
As a little girl, I thought I'd like to get married on the beach. But I'm not the quintessential girl who had these sort of fantasies about that stuff.
In the forties, to get a girl you had to be a GI or a jock. In the fifties, to get a girl you had to be Jewish. In the sixties, to get a girl you had to be black. In the seventies, to get a girl you've got to be a girl.
When I was 20, I was contemplating quitting. I was at the first event of the season and I overhead a conversation between two girls. One told the other, "God still loves you," and that caught my attention. Later that day, I caught up with the girl and asked her what she meant. Before then, I'd never really thought about God. But there was an undeniable stirring in me and I couldn't ignore it.
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