A Quote by Meredith Monk

In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.
Einstein was attending a music salon in Germany before the second world war, with the violinist S. Suzuki. Two Japanese women played a German piece of music and a woman in the audience exclaimed: "How wonderful! It sounds so German!" Einstein responded: "Madam, people are all the same."
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
When Thomas Mann arrived in California from Germany, they asked him about German literature. And he said, 'German literature is where I am.' It's really a bit grand, but if a German can afford it, I can afford it.
German is more familiar now since I live part of the year in Rome and part in the German part of Switzerland. But it's not difficult to sing in German; it's difficult to feel in German. This takes time. It's a culture.
For me, it was pretty hard to go into the studio and sing English for the first time, because I always sung in German, and we've been making music for seven years and it's always been in German.
Jacob is a German Shepherd. (I have never understood why they aren't called German Sheepdogs. What do the Germans call shepherds?)
When I played for Hannover I had several offers, also - as I have been told - from Hamburg, Bremen and Bayern. Back then I already was a German international and Bayern would have loved to have the complete German national team.
I have to laugh when the English claim they are such a wonderful nation. Everyone knows that Englishmen are really Germans, that the English kings were German, and that in Russia the emperors were either of German origin or received their education in Germany.
I never felt that although we were based in Germany, Puma was and should be considered as a German brand. So we restructured it in a way that positioned us as a global brand, with English being the corporate language, rather than us looking at it from a German perspective.
I am not the German Tony Blair. Nor am I the German Bill Clinton. I am Gerhard Schroeder, chancellor of Germany, responsible for Germany. I don't want to be a copy of anyone.
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
Americans and British respondents don't want to let the German people off the hook. They make the case that if you get rid of Hitler, some other leader apart from Hitler would have emerged and, because of the structural constant of German nationalism, would have exploited German national feeling and produce the same kind of events no matter what.
I knew German history well, and out of my experiences in the rest of the world I believed to know the German kind; therefore I never doubted that, although for the time being all indications were against it, one day a change would come.
It's not difficult to sing in German; it's difficult to feel in German. This takes time. It's a culture.
In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
It probably does make it more difficult to enjoy a good laugh at someone who's onstage, seemingly yelling at you. But I'm not yelling at the audience, I'm yelling at the world. It genuinely sucks if people are taking it that way. But I'm not talking to individuals.
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