A Quote by Mia Goth

I think the worst lie I ever told was, because my last name is Goth, I used to tell kids at school that I used to be related to 'Van Gogh' and when I turned 18, I would inherit all the fortune from the sunflower painting.
When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
I want to be remembered. I want to have a legacy. Van Gogh only sold one painting before he died, which would mean that he wasn't famous when he was alive. But in 2017, I know who Van Gogh is.
I had a Vincent van Gogh, a small Provençal landscape. We sold it. If you're going to have a van Gogh it should be a really good van Gogh.
My app is the same juicy paint used by Vincent Van Gogh; my screen is the woven canvas of Titian. Painting by hand, I've come to figure, is a certain kind of love.
Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used "to tell" at all.
It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
Kids always used to come up and ask me if I ever fought Mike Tyson, and I used to tell them that we couldn't because we were in different weight classes.
I used to love martial arts movies starring Bruce Lee and Jean Claude Van Damme. In one of Van Damme's movies, he would break a pine tree. I would kick banana trees because I used to live on a farm. My father would get mad at me because I would break all of the banana trees around.
Someone who copies a Van Gogh does not therefore become Van Gogh, and the same would go for Mozart or anyone else who contributed something that was original. Certainly in the way that I described visualizing numbers in abstract, meaningful shapes.
Van Gogh would’ve sold more than one painting if he’d put tigers in them.
I loved moustaches. I used to draw myself with one. When I was 14, I was really into war and Van Gogh.
And then I went round the corner and there's a Van Gogh portrait, and you just think, well, this is another level. A higher level, actually. I love the Sargent, but it's not the level of Van Gogh.
I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
When I was in first grade, everyone made fun of my name, of course. I think it's kind of a big name to hold up when you're nine years old. It seemed goofy. I used to tell people I wanted to change the world and they used to think, 'This kid's really weird'.
I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.
I started painting, I think when I was in school and I used to do watercolours back then. I attended a class for it that used to take place twice a week and I remember I really enjoyed that.
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