A Quote by Michael Ball

It is as polar opposite as it comes for the man who was Edna Turnblad in 'Hairspray' to come back as Sweeney Todd. — © Michael Ball
It is as polar opposite as it comes for the man who was Edna Turnblad in 'Hairspray' to come back as Sweeney Todd.
I have always wanted to play Sweeney in 'Sweeney Todd.'
I kind of did this thing in high school, a spoof of 'Sweeney Todd' called 'Shirley Todd,' and I had a great time doing that.
I'm a big fan of revenge, I think [Sweeney Todd] it's a story of a man who clearly has obsessions to avenge the horror that happened to him.
Back when I was in theater school, trying to figure out what I was going to do with my life, 'Sweeney Todd' was a huge touchstone for me, my favorite musical for sure.
'Sweeney Todd' is my favorite Sondheim musical.
I do believe that you have to bring some degree of truth from yourself to the role [Sweeney Todd: The Demon Barber of Fleet Street ]in and I'll admit it here, I have shaved a grown man before. I have done it. And it wasn't Tim [Burton].
Into the Woods,' 'Sweeney Todd' - those were my religion.
If we're karaoke-ing, I'm as likely to do Aerosmith as I am 'Sweeney Todd'.
Nobody is convinced that Johnny Depp goes to Walmart dressed as Sweeney Todd, but everyone expects us to.
My two favorite musicals growing up in were 'Annie' and 'Sweeney Todd,' and my best friend and I would sing all the songs when I was a kid.
I couldn't live without the genius of Stephen Sondheim, be it not just West Side Story,but Follies,Company,Sweeney Todd,Passion.You can go on and on.
You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
Musically, I'm a huge fan of Stephen Sondheim, and I love, love 'Sweeney Todd.'
Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important to find what makes it a movie as opposed to just a film presentation of a stage play.
The big turning point came when I played in the pit orchestra for a production of SWEENEY TODD and I spent most of the time watching the play instead of playing the score! And that's when I knew I had it bad for acting.
It's great when it all comes together in a great musical like 'Sweeney Todd,' when Stephen Sondheim writes songs from heaven, the book is good and the staging is good. But it's very rare when that happens.
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