A Quote by Michael Chabon
When I was in my early to mid-teens, that was a very heavy diet of science fiction and fantasy, so those were the kinds of books I tended to imagine writing someday, or even began to try to write.
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Science fiction is fantasy about issues of science. Science fiction is a subset of fantasy. Fantasy predated it by several millennia. The '30s to the '50s were the golden age of science fiction - this was because, to a large degree, it was at this point that technology and science had exposed its potential without revealing the limitations.
I find fantasy easier to write. If I'm going to write science fiction, I spend a lot more time thinking up justifications. I can write fantasy without thinking as much. I like to balance things out: a certain amount of fantasy and a certain amount of science fiction.
I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.
In my early teens, science fiction and fantasy had an almost-total hold over my imagination. Their outcast status was part of their appeal.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
When I write my books, actually, I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.
When I write my books, actually I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.
My advice is to write about what you are interested in. If you read science fiction and fantasy, then write in that genre. If you read romance novels, then try writing one.
Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful.
So fantasy was fine early on, and when I discovered science fiction, I was very happy with it, because my first interest in science fiction came with an interest in astronomy.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
I'm writing exactly the kinds of books I like to write. And they're the kinds of books I like to read. They're popular commercial fiction. That's what they are.
I've always wanted to write science fiction. It was one of my first loves, and I knew if I became a writer someday I'd probably write something in the science fiction vein, but I hesitated for a long while because it's such well-trod ground.
A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens.
I came into science fiction at a very good time, when the doors were getting thrown open to all kinds of more experimental writing, more literary writing, riskier writing. It wasn't all imitation Heinlein or Asimov. And of course, women were creeping in, infiltrating. Infesting the premises.
I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal.
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