A Quote by Michael Cunningham

I don't know if I can face this. You know. The party and the ceremony, and then the hour after that, and the hour after that." "You don't have to go to the party. You don't have to go to the ceremony. You don't have to do anything at all." "But there are still the hours, aren't there? One and then another, and you get through that one and then, my god, there's another. I'm so sick.
But there are still the hours, aren't there? One and then another, and you get through that one and then, my god, there's another.
I used to say, as an assistant, I would go in and close my door for three hours after practice and just watch film. Now it seems like I'm in a meeting and then another and then another for three hours that have nothing to do with basketball. It's just different.
And then he drew a dial from his poke, And looking with lack-lustre eye, Says very wisely, 'It is ten o'clock: Thus we may see', Quoth he, 'how the world wags: 'Tis but an hour ago since it was nine, And after one hour more 'twill be eleven; And so from hour to hour we ripe and ripe, And then from hour to hour we rot and rot.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
The best time to leave a party is when the party’s just beginning. There’s no drink that kills except the drink that you didn’t want to take, as the saying goes, and there’s no hour that kills except the hour you stayed after you wanted to go home.
When that holiday party or happy hour comes along, shut her on down. Turn off the Blackberry, put your phone on silent, and go get 'em at the party. After all, you're about the only one who's earned it.
I was cast in this commercial called "Hour After Hour." It was for a deodorant that won't wear off. And [Susan Sarandon] became the Hour After Hour girl after me. But I never met her. So I didn't really know Susan till after this movie [ "The Big Wedding"].
He was beastly tired, but it was hard to stop. One more book, he had told himself, then I'll stop. One more folio, just one more. One more page, then I'll go up and rest and get a bite to eat. But there was always another page after that one, and another after that, and another book waiting underneath the pile. I'll just take a quick peek to see what this one is about, he'd think, and before he knew he would be halfway through it.
I don't know how to relax. I get so edgy and instantly I'm ready to go. I don't like to waste any time. I try to use up every minute until I get tired, and then go home, rest for an hour, and then go. But I don't ever actually relax.
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
I wish I had a really cool, esoteric answer, but what the process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
But the people did get it. They had lost something -- not exactly their fear, but their patience. Suddenly it seemed unbearable to go on accepting these systems, these portly little idiots in their blue suits, for another year, and then for another day, another hour. That special sort of impatience is the power-surge of revolution.
I don't write from dreams because I don't remember mine, but I had a fragment of an image left about twins, whose father was telling them how their lives were going to go for the next eight years. I wrote a scene about that, and then another and then another and then another, and after five months I had 732 pages.
I do this thing at every party: I go to a party, I stand around for, like, 45 minutes, and then I turn to my wife and say, 'I think we should go home.' And then we leave, and then I wake up the next morning and say to my wife, 'We don't go out anymore.' It's a great trick.
You start out with an hour on the treadmill, then another hour of lifting - hell, in two weeks you're not doing anything anymore. You gotta be reasonable.
If you wake up one morning realising that you do not know anything, then you are awake. If you still think you know something, then you are still asleep. If you are still trying to know, you are still trying to control. If you are still trying to control then you still think something can 'go wrong'. If you still think something can go wrong then you are not in touch with the source. If you are not in touch with the source then you live in fear. You are living in the fear that you have created, and that you are trying to get away from.
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