A Quote by Michael Emerson

I was a housepainter and a landscape nursery man, and all these various odd jobs I had, and started doing community theater. — © Michael Emerson
I was a housepainter and a landscape nursery man, and all these various odd jobs I had, and started doing community theater.
I trained in theater. And I started in theater with my first two jobs doing stage plays.
I started in theater. I did theater professionally for seven years with my company before I started doing 'Friends.' I was waiting tables and doing theater.
I'd be doing all sorts of odd jobs and traveling the world. Let alone if I wasn't an actress, even now if my films stop doing well and people stop liking me, I'd go do odd jobs, like a waitress or something like that and save just about enough to see the world.
I used to be on dance team in high school; it was called drill team in Texas. And when I started doing theater sophomore year, I had to make a decision which thing I was gonna follow. It was a big shift because I sort of had all these friends on dance squad, and when I started to do theater, my whole identity shifted.
I went to this massive co-ed school for the first time when I was 16. Everyone there had been together since elementary school, and I found it quite difficult, especially when I'd never stepped into a classroom with boys. So I started looking out in the community for a social outlet. I started getting involved in student films and community theater. Acting began as a hobby.
I started acting pretty young, so I haven't had too many odd jobs. But I used to sell candy out of my locker in middle school.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
I had started doing theater in high school, and while I was doing that, I got my manager.
I was doing theater in my high school, and I started writing sort of silly songs on the piano backstage in summer theater. I eventually put them online and started getting this little following.
I had done some community theater plays and I just had so much fun doing it. I was a really shy kid growing up and it gave me a platform to be able to express myself in a way that I didn't feel comfortable doing yet in my own skin.
I had saved a lot of money working at Mrs. Fields' Chocolate Chip Cookies, ushering at the Golden Gate Theatre, and doing odd jobs so I could live in New York for a few months. If it ran out, I would have to give up and go home. It turned out OK. I got my Equity card and started working.
I had started doing small community theater shows in my hometown of Cleveland. I did a lot of shows there before I met this director who told me, 'Listen, I really think you could be on Broadway.' And I was like, 'No, that's crazy.' I didn't believe it... I was 9, maybe 8 years old at the time, and I was like, 'No. No way.'
When I first started acting, I started in opera and had a great desire to play grand, tragic characters. I got sidetracked in musical theater and ended up doing a lot of comedy.
When I was doing ensemble theater and comedy work, I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own, I was shocked.
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