A Quote by Michael Franks

Whenever I explore the land of Yin, I always take one on the chin. — © Michael Franks
Whenever I explore the land of Yin, I always take one on the chin.
Whenever you're making a dark comedy, you're always looking for the yin and yang in an actor.
I always had a weak chin because we couldn't afford to correct my bite, which could have been corrected with braces. So the chin was always weak. And I always was - kind of hated my profile. And I thought wouldn't it be nice someday to feel the rain on your chin without having to look up.
In a universe animated by the interaction of yin (female) and yang (male) energies, the moon was literally yin visible. Indeed, it was the very germ or source of yin, and the sun was its yang counterpart.
The unique thing about Margaret Rutherford is that she can act with her chin alone. Among its many moods I especially cherish the chin commanding, the chin in doubt, and the chin at bay.
You can't learn to take a punch. Whether you have a glass chin or you don't, the only way of finding out is having it land.
I feel like I always had a yin and yang experience with music. I've always been able to rock out, and then I've always had to take piano lessons, too.
With the overhand right in the past, I always got caught. My chin was up, and my shoulder wasn't where it was supposed to be, covering my chin.
In the West when you talk about yin and yang, people normally think of yin and yang as something that's linear. But in the east we tend to think of yin and yang as circles. They're two circles that actually can lie on top of each other, yet they remain separate.
I'm accurate and I can land on anyone's chin.
There are no greater adversaries than yin and yang, because nothing in Heaven or on Earth escapes them. But it is not yin and yang that do this, it is your heart that makes it so.
Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell them I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found Serenity But you can't take the sky from me.
My sister Kwan believes she has yin eyes. She sees those who have died and now dwell in the world of Yin, ghosts who leave the mists just to visit her kitchen on Balboa Street in San Francisco.
It is more than their land that you take away from the people, whose native land you take. It is their past as well, their roots and their identity. If you take away the things that they have been used to see and will be expecting to see, you may, in a way, as well take their eyes.
All our moves are based on four general principles: continued use of the rifle, no waiving of historical rights, no peace, and no negotiations... Whatever form of government is established in the territory when the shadow of occupation passes away, whenever I address my fighters and revolutionaries, I shall say: 'Let our rifles be aimed at the beloved land, the land of the homeland, the land of Palestine.
I've always loved the seaside and I used to be a fairly keen surfer, but it's a solitary activity so when my husband and I had children, we bought sit-on-top kayaks. Whenever possible, we escape to the coast or explore rivers with them.
If you let people own their land, they take care of it. That's why privately owned land is always taken care of, and the parks look like cesspools. Nobody takes care of what everybody owns.
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