A Quote by Michael Gira

I'm just as comfortable performing solo with just my acoustic guitar and vocal as I am with a band. The main thing for me is that the performance remain rooted in the words and voice, that there be no place to hide.
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
I do some solo, acoustic stuff, but I also like plugging in my electric guitar and playing loud with a band.
When you break out the acoustic guitar, the words are the focal point unless you're the Jimi Hendrix of the acoustic guitar. So the words have to have meaning.
I danced for a while, and I knew I could sing, so I just began singing in a praise band at church and doing musical theater and jazz vocal performance in school. One didn't really lead to another; I was just always interested in the performance arts.
The thing with One Direction songs is that you can probably break them all down to an acoustic guitar and vocal.
I'm very much of that old-school mentality of believing that if it works with an acoustic guitar and a vocal, then it should work within any format - and especially when most of my live work is just guitar and vocals, so it really does have to work with only that.
My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.
Artie travels all the time. The rehearsals were just miserable. Artie and I fought all the time. He didn't want to do the show with my band; he just wanted me on acoustic guitar.
I've made solo records and that's all been a learning experience. I've just got better at singing and more comfortable with who I am and my voice.
I'm also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.
As an actor, the last thing you ever want to end up on is just a procedural show where you're just a talking head. There's nothing worse than just spitting out words. Words interrupt performance. Performance is king in my world, when it comes to why I'm in this business.
Im also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.
I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.
And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.
I'm not good enough to be playin' much acoustic guitar onstage. Man, you gotta get so right; I mean, the tones, the feel, the sound. Plus, acoustic blues guitar is just that much harder on the fingers.
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