A Quote by Michael Ignatieff
The reason that the Croats want a state of their own is that they fear being cut into little pieces by the Serbs.
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Sarajevo was this beautiful city, very cosmopolitan, multiethnic, full of wonderful people, artists and writers and poets and Serbs and Muslims and Croats, and living side by side. And then this medieval siege, and it was a medieval siege, came, and the Bosnian Serbs were on the hills lobbing in rockets and grenades and mortars.
We have blacks and whites, Jews and Arabs, Serbs and Croats, and Filipinos and Vietnamese here. At the end of the day, everyone is each other's brother.
But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.
The new history is really ancient history newly discovered. Journalists are taking crash courses in the blood-drenched background of Serbs, Croats, Bosnians, North Ossetians, Armenians and Azerbaijanis.
It looks to me as though these politics mean Serbs, Croats and Muslims. But they are all people. They are all the same. They all look like people, there's no difference. They all have arms, legs and heads, they walk and talk, but now there's "something" that wants to make them different.
My whole reason for creating a network is literally to bring little pieces of light. It's to continue to spread little pieces of light in the world, to illuminate the possibility of the human spirit.
I’m not being cynical, but when you’re doing a movie you have a number of choices as an actor. Then you see it all cut together and all of those precious little pieces you put in are maybe on the cutting room floor. So, you don’t have that much control. You have very little control, in fact.
I'm worried that the audience is being conditioned. That's my real fear. Because if they don't want to see wrinkles on the screen, if they actually fear looking at them, then it's only going to get worse. Those of us who don't want to shoot up and cut and sew, we're just not going be cast.
The real differences around the world today are not between Jews and Arabs; Protestants and Catholics; Muslims, Croats, and Serbs. The real differences are between those who embrace peace and those who would destroy it. Between those who look to the future and those who cling to the past. Between those who open their arms and those who are determined to clench their fists.
Fear is at the root of so many of the barriers that women face. Fear of not being liked. Fear of making the wrong choice. Fear of drawing negative attention. Fear of overreaching. Fear of being judged. Fear of failure. And the holy trinity of fear: the fear of being a bad mother/wife/daughter.
Fear seems to have many causes. Fear of loss, fear of failure, fear of being hurt, and so on, but ultimately all fear is the ego's fear of death, of annihilation. To the ego, death is always just around the corner. In this mind-identified state, fear of death affects every aspect of your life.
I want to separate from the Palestinians. I want them to have their independent, separate state on a contiguous territory, and I want Israel to exist, of course, as a Jewish state in its own territory, as an independent state in its own territory. The Palestinian state, the Israeli state, separate. This is my dream.
Kessa began to cut her meat into tiny pieces. As a whole it was unmanageable, frightening; but divided and arranged, the meat could be controlled. She cut four pieces. She'd count to four between each bite.
There was this interesting quote: try and live your life without fear and desire. It's this concept that's like when you look at a painting in a museum and you are held in aesthetic arrest. So the I, the ego, is stripped, is gone. The observer and thing become one. That's where fear and desire come in because you don't want to own it, possess it, desire it, and it's not moving you to fear. It's like you're in this harmonious state with the object.
there is every reason to fear that the State is growing ever more powerful, more autonomous, more indifferent to its own inhabitants.
I can’t stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
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