A Quote by Michael J. Fox

If one of my kids reads a book for school and I can have a conversation with her about the book and I sense that she gets what the book is about, then it doesn't really matter to me if she gets an A on the paper.
Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read? If a tree falls in a forest and gets pulped to make paper for a book that never gets read, but there's nobody there to read it, does it make a sound?
She comes to me when she wants to be fed. And after I feed her -- guess what -- she's off to wherever she wants to be in the house, until the next time she gets hungry. She's smart enough to know she can't feed herself. She's actually a very smart cat. She gets loved. She gets adoration. She gets petted. She gets fed. And she doesn't have to do anything for it, which is why I say this cat's taught me more about women, than anything my whole life.
My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.
I will write a book one day about how I feel about every aspect of Emily Stone. She's a full genius. She has found her genius and is giving it all so fully and beautifully. I think everyone who works with her, brushes shoulders with her, or even makes eye contact with her, gets a shot of sunshine.
I remember once asking Grandma about a book she was reading, a biography of Abraham Lincoln, and how she answered me: this was the first conversation of my life that concerned a book, and 'the life of the mind' - and now, such subjects have become my life.
If you find a girl who reads, keeps her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea (coffee) and hold her. You may lose her for a couple of hours but she will always come back to you. She'll talk as if the characters in the book are real because, for a while, they always are. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable.
The parent reads the book. The kid reads the book and then they can talk about the characters instead of talking about themselves. You know there's a connection even if you don't talk about it when you read the same books.
People like her because she's like a breath of fresh air. Because in the fifth book it gets so dark and Harry's always cross and then every time Luna comes in all the tension goes and she makes you laugh because she's so funny and really honest. I don't know how much I'm like her, there are some similarities but I'm more determined than her.
It's difficult to write a book where a character is on virtually every page of the book but you cannot refer to his or her gender. It gets rid of every his, her, she and he.
I spend my life studying that book, and every book I've written has in some sense been a book about the Bible, and that's what I mean by reclaiming its value and its essence for a world that no longer treats it literally and no longer reads it traditionally.
Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
Well, Thanksgiving we'll all gather at my house for dinner and we usually do Christmas at Beau's house. My mom is still feisty and kicking. She's 92. I saw her last night and she published a book at 90. It's a wonderful book called "You Caught Me Kissing" and it's basically love-poems that she wrote for my dad. It's more than that, it's a wonderful book.
I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.
I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.
I put down my book, The Meaning of Zen, and see the cat smiling into her fur as she delicately combs it with her rough pink tongue. 'Cat, I would lend you this book to study but it appears you have already read it.' She looks up and gives me her full gaze. 'Don't be ridiculous,' she purrs, 'I wrote it.'
However, every word she [Richelle Mead] wrote about Lissa in the book I highlighted and analyzed and interpreted until I felt like I’d completely absorbed her [Lissa]. So Richelle gave me insights through the pages of the book. I cried when I found out that she told the producers that I was her dream Lissa. It meant the world to me.
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