A Quote by Michael J. Fox

When you're a short actor you stand on apple boxes, you walk on a ramp. When you're a short star everybody else walks in a ditch. — © Michael J. Fox
When you're a short actor you stand on apple boxes, you walk on a ramp. When you're a short star everybody else walks in a ditch.
I felt like an ugly duckling back in school. I was a complete tomboy with short hair. Never in my dreams did I imagine that I would walk the ramp with 6-inch heels. My friends can't believe that I'm an actor, because I was such an introvert in school.
Don Siegel last advice to me was 'Don't short yourself.' He said the tendency is when an actor's directing is to kind of you want to work on everybody else but you're going to short yourself. He said, take the time to do a good job with yourself so that you're satisfied with it.
Don't let your cool stand in the way of being soulful. Life is too short. Too short to hate. Too short to judge. Too short not to live for. Don't let anything or anyone get the best of you or your heart and mind. If you are going down... go down swinging, singing, and loving.
'Obvious Child,' the short, had a nice life online and a great festival run, but the short and the feature still stand apart from everything else I've done. I play a woman who you might meet in life. My other work is much more heightened.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
Sometimes ... the short short appears to rest on nothing more than a fragile anecdote which the writer has managed to drape with a quantity of suggestion. A single incident, a mere anecdote - these form the spine of the short short.
Any strategy that involves crossing a valley accepting short-term losses to reach a higher hill in the distance will soon be brought to a halt by the demands of a system that celebrates short-term gains and tolerates stagnation, but condemns anything else as failure. In short, a world where big stuff can never get done.
Since I was 20, I wanted to make a short film and send it to international short film festivals. It never happened. I became too big a star to indulge in those things.
Iraq is short on capital, short on electricity, and short on management expertise, but it does not lack economic enthusiasm.
The play takes place on a ramp, hanging from a ramp, below a ramp, and to the sides of a ramp.
I try to use short sentences, short paragraphs and short chapters to keep the reader's interest.
Mortality is, in reality, a very, very short period. It is literally a snap of the fingers compared to an eternity. It is so short that we can do it. We can prevail. Why, you can stand your foot in a vise for a while if you know it's going to be released soon. Yes, earthly probation is short compared to eternity, but so very much is riding on how we handle the trials and temptations of the flesh.
I did a lot of ramp modelling in South Africa and Hong Kong, when models were free to dance and walk on the ramp.
I didn't ask to be short. I didn't want to be short. I've tried to pretend that being a short guy didn't matter.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
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