I'm about being honest and knowing that people are watching, and they want to know that I'm asking questions that they want the answers to.
The answers we seek aren't always the answers we want, are they? But knowing the truth is what helps us sleep at night.
It's an important moment as a reader, I think, when you can forget the question of whether you need to know what happened. Some people really want hard explanations. I'm the other way. I like mysteries. I don't want to frustrate people. I don't want people to feel like they got no answers, but I want to approach the mystery and sit with it.
In this fight I want to show people who are in poverty, downtrodden or denied that you can succeed. I want my performance to be an inspiration to people. You have to stay in the moment and keep moving ahead. I just want to show everyone that you can find answers to your problems and afflictions with hard work and perseverance.
People go, 'What do you want to do?' What do you want to do? What are you feeling? Going into a shoot not fully knowing what I want to do—that excitement, that thing that happens, is just so powerful and makes such great pictures.
I feel like people expect me to give them easy answers, but there aren't really easy answers. There are only harder questions. And unless we get to the harder questions part, about what this conversation is really about...of course I want an immigration bill to pass. I want people to have a driver's license and work permits and green cards and passports. But this conversation transcends this bill. We're not going to have a perfect bill. This is politics. I feel like my job is instead of giving people easy answers, my job is to actually to ask people to probe deeper.
The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
You know that you don't have all the answers, and the unknown is the best place where you would want to be as an artist, not knowing. That actually leads you to ask questions, and it continuously feeds itself.
True power arises in knowing what you want, knowing what you don't want, expressing it clearly and lovingly without attachment to the outcome.
There's something very special about knowing what you want to do and knowing the story you want to tell, but finding it together.
I heard what you said. I’m not the silly romantic you think. I don’t want the heavens or the shooting stars. I don’t want gemstones or gold. I have those things already. I want…a steady hand. A kind soul. I want to fall asleep, and wake, knowing my heart is safe. I want to love, and be loved.
As an actor, you want to remain vulnerable. You don't want to always have all the answers and you want to be fine doing things in the moment with your fellow actors.
People want bigger, bolder answers to the problems that exist. I felt, as leader, 'My analysis is big; are the answers big enough?'
Sometimes we're tone-deaf in Washington, and we listen only to ourselves. We do not hear the cry of people who want answers, want action, want protection, and have some darn good ideas as to how to provide it if only we would listen.
If people are paying money to see me, then I want them to walk away from the show knowing they had a really great time. I want it to be very energetic and to have fun, sad, emotional and uplifting moments. I want it to have everything!
Contextualization is not giving people what they want. It is giving God's answers (which they probably do not want) to the questions they are asking and in forms they can comprehend.