A Quote by Michael Portillo

A wood carving of Quixote on his nag Rocinante graced my childhood home. — © Michael Portillo
A wood carving of Quixote on his nag Rocinante graced my childhood home.
Akri? Can I keep him? See, he good eating. Lots of fat on this one. (Simi) No, Simi. You can’t keep the baby. His mother would miss him. (Acheron) But he want to go home with the Simi. He said so. (Simi) No, Simi. (Acheron) No Simi, no food. Nag, nag, nag. (Simi)
I really enjoy sculpting, like wood carving, and do artwork.
Wood carving is such an amazing skill and very underrated; once you cut it, it's hard to go back.
I can be a nag. And my mother can be a nag. It's a nagging relationship, but we know that it's loving.
The fear thou art in, Sancho," said Don Quixote, "prevents thee from seeing or hearing correctly, for one of the effects of fear is to derange the senses and make things appear different from what they are; if thou art in such fear, withdraw to one side and leave me to myself, for alone I suffice to bring victory to that side to which I shall give my aid;" and so saying he gave Rocinante the spur, and putting the lance in rest, shot down the slope like a thunderbolt.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
Elijah Wood confirms his standing as the foremost actor of his generation. ...Wood acts so eloquently with his sentient face and searching eyes that his job becomes one of concealing how redundant his spoken lines are - a tricky job he largely is able to bring off commendably.
I don't want to think too much about how I'm carving and what I'm carving - you are just carving away the excess clay and there's a piece underneath there. And it's kind of like getting out of the way. Maybe that's what the commonality is: It's getting out of the way so that the art can speak.
A whetstone is no carving instrument, And yet it maketh sharp the carving tool; And if you see my efforts wrongly spent, Eschew that course and learn out of my school; For thus the wise may profit by the fool, And edge his wit, and grow more keen and wary, For wisdom shines opposed to its contrary.
I'm a very compulsive person, so I spend most of my time drawing or writing my diary, patching things up and carving bits of wood - I've carved two of my guitars.
Knock on wood is a saying for good luck. I think that started when someone went to someone's door to see if someone was home. "I hope Joe's home, knock on wood!"
All of that is true,’ responded Don Quixote, ‘but we cannot all be friars, and God brings His children to heaven by many paths: chivalry is a religion, and there are sainted knights in Glory.’ Yes,’ responded Sancho, ‘but I’ve heard that there are more friars in heaven than knights errant.’ That is true,’ responded Don Quixote, ‘because the number of religious is greater than the number of knights.’ There are many who are errant,’ said Sancho. Many,’ responded Don Quixote, ‘but few who deserve to be called knights.
Paul Newman is simply not an actor and possibly not even alive; seems to be carved from wood, his movements stiff and jerky as a marionette, his one expression an agonized grimace as of wood trying to smile.
A catcher and his body are like the outlaw and his horse. He's got to ride that nag till it drops.
Don Quixote was a song for a 1969 Michael Douglas movie called Hail Hero! I wrote the title song for the film and they also used the Don Quixote one I had submitted.
Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control.
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