A Quote by Michael Shanks

It's absolutely true that it's almost impossible to play a character without having any affection for him. — © Michael Shanks
It's absolutely true that it's almost impossible to play a character without having any affection for him.
It is almost impossible to imagine that any one could be so insensible to the high morality of Mr. Mill's character as to suggest to him any course of conduct that was not entirely upright and consistent.
Persuasion is achieved by the speaker's personal character when the speech is so spoken as to make us think him credible. We believe good men more fully and more readily than others: this is true generally whatever the question is, and absolutely true where exact certainty is impossible and opinions are divided.
It is impossible to pray for someone without loving him, and impossible to go on praying for him without discovering that our love for him grows and matures.
Vanity is so closely allied to virtue, and to love the fame of laudable actions approaches so near the love of laudable actions for their own sake, that these passions are more capable of mixture than any other kinds of affection; and it is almost impossible to have the latter without some degree of the former.
If a woman conceals her affection with the same skill from the object of it, she may lose the opportunity of fixing him; and it will then be but poor consolation to believe the world equally in the dark. There is so much of gratitude or vanity in almost any attachment, that it is not safe to leave any to itself. We can all begin ‘freely’- as light preference is natural enough; but there are very few of us who have a heart enough to be really in love without encouragement.
To be in a video is a ridiculous thing. It's almost impossible to do it without any humour
Misanthropy ariseth from a man trusting another without having sufficient knowledge of his character, and, thinking him to be truthful, sincere, and honourable, finds a little afterwards that he is wicked, faithless, and then he meets with another of the same character. When a man experiences this often, and more particularly from those whom he considered his most dear and best friends, at last, having frequently made a slip, he hates the whole world, and thinks that there is nothing sound at all in any of them.
Having agreed to play Elrond, I realized how much had to be worked out about this character: the idea of portraying someone who is immortal, for one thing; plus the fact he is noble, wise, powerful, good - and beautiful! I began to think that he was altogether impossible to play!
Without him here, it is impossible to know how fast he will play it, approximately.
To find a man's true character, play golf with him.
When you're wearing jeans there's a shift in your center of gravity. A costume like this and a character like this, there's no way to hide. If you try and play him any way sort of modern or normal, you diminish. He's larger than life. He's 150 percent. You've got to go for it all the time. It was just impossible.
It's impossible to replace him. You will not find another Messi, but you can train a team without having the best in the world.
You can't play having a mental disability. You have to play whatever that person's truth is without any judgement.
I've discovered that I can't trust the ratings board at all, because they have - to my mind - a perverted point of view about what's appropriate for children. They think that if you see any part of a male or female anatomy, we have to protect children from it, which is not true, and they think almost any level of violence is okay for children, which is absolutely not true... They're really off the mark.
I think you may judge of a man’s character by the persons whose affection he seeks. If you find a man seeking only the affection of those who are great, depend upon it he is ambitious and self-seeking; but when you observe that a man seeks the affection of those who can do nothing for him, but for whom he must do everything, you know that he is not seeking himself, but that pure benevolence sways his heart.
Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.
This site uses cookies to ensure you get the best experience. More info...
Got it!