A Quote by Michael Tolcher
There are so many dimensions in my music, and I think mostly what people hear is hope - the describing of experiences and the wonders of life
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The music we do is weaved together through stories and life experiences. When people come to hear us, I hope they are are uplifted and that we give them a lot to take home.
I think a lot of people are making music that shares their life experiences, and that's what I choose to do, too, but in my life experience, I also choose to try to find the hope in the music, and I think a lot of it has to do with my Christian faith.
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
You are a victim of your own neural architecture which doesn't permit you to imagine anything outside of three dimensions. Even two dimensions. People know they can't visualise four or five dimensions, but they think they can close their eyes and see two dimensions. But they can't.
The more that I travel, the more people that I meet, the more experiences that are really a testament to the kind of person that I am, and you hear about my experiences and my growth through my music. I think that that is really relatable.
I think when comic book fans hear parallel dimensions or multiple dimensions they think of Earth 616 and Earth 617 and Earth 618. That's all possible.
And then the spirit brings hope, hope in the strictest Christian sense, hope which is hoping against hope. For an immediate hope exists in every person; it may be more powerfully alive in one person than in another; but in death every hope of this kind dies and turns into hopelessness. Into this night of hopelessness (it is death that we are describing) comes the life-giving spirit and brings hope, the hope of eternity. It is against hope, for there was no longer any hope for that merely natural hope; this hope is therefore a hope contrary to hope.
Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
I want people to really recognize that this is what I am naturally good at: I'm really good at making music and describing your feelings vicariously through my experiences, through my past and my future. I want people to relate to me in multiple ways and be versatile in my music.
I would like for people to hear my music and hear/realize that people and experiences are deeper than what's at face value. Hopefully, with the span of my career, I can try to convey that in more ways than one.
Describing Woodstock as the "big bang," I think that's a great way to describe it, because the important thing about it wasn't how many people were there or that it was a lot of truly wonderful music that got played.
Describing Woodstock as the 'big bang,' I think that's a great way to describe it, because the important thing about it wasn't how many people were there or that it was a lot of truly wonderful music that got played.
The astral dimensions afford you opportunities to have experiences and gain insights into the structural nature of how dimensions are made up and phased together.
The wonders of the music of the future will be of a higher & wider scale and will introduce many sounds that the human ear is now incapable of hearing. Among these new sounds will be the glorious music of angelic chorales. As men hear these they will cease to consider Angels as figments of their imagination.
Everybody does music from his culture and his experiences with his culture. There are not so many people who are interested by the music coming from different countries and different cultures and trying to make music from that, from all these experiences.
Jazz is so difficult. A lot of people think once they've learned these licks they can get up and play them for the rest of their life. But that's not being truthful to the music 'cause it's not developing. Cats you hear that don't make no mistakes? They ain't trying to do nothing. everything they hear is on the mark, but they've played it so many times... I've built a whole career out of making mistakes!
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