A Quote by Michael Waltrip
When you have turnover, somebody not work out, they'd leave, it really affects a young organization because you don't have your process down pat. You got people coming and going who are affecting your direction. It's just really hard to start from scratch and quickly put your direction in place and be able to stick to it.
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I got very self-conscious about the way I look. So I, especially with young people coming into the industry and young actors, I feel it's really terrible to start with their looks. Right? Because especially for women, it just puts you in your head at a time when you should really be focused on your work and what you're saying and doing and not how you look.
I start every morning off with a green juice, because I think it's really important to be alkalined, and then I work out. We teach people that you need to find that balance and that what you put into your body is directly affecting your health.
Grit, in a word, is stamina. But it's not just stamina in your effort. It's also stamina in your direction, stamina in your interests. If you are working on different things but all of them very hard, you're not really going to get anywhere. You'll never become an expert.
If you have talent and you work really hard, it increases your odds but it doesn't ensure anything. But every now and then, the universe must tilt in your direction.
You spend most of your life working and trying to hone your craft, working on your chops, working on your writing, and you don't really think about accolades. Then you get a bit older and they start coming your way. It's a nice pat on the back.
Just what is meant by 'your word?' It means your conscious intention, your conscious direction, your conscious faith and acceptance that, because of what you are doing, the Power of Spirit will flow through your word in the direction you give It.
Obviously, I'm a female in sports. You work really hard, you prep really hard, you put a lot into the show, so when you have certain comments, and people are saying, 'Oh you add nothing,' or, 'You got your job because of this.' Really? Why don't you look at my master's degree?
I think I'm an ambitious artist but you have to understand the measure of your influence on people. You're not going to change people's lives with your art. What you do is you give them a little pat so that you change the course of the direction that they're going.
I have made you - along with Fox News has made you - think Obama is something that he isn't. And it's such a shame. I have so distorted who the real Obama is in your mind, that it is paralyzing our government. It is paralyzing the Speaker of the House, who really, really, really, really wants to go in there and really, really work with Obama, but he just can't. It's hard for people like Boehner to move too far in my direction because of the misperception of me, Obama says, created by Fox News and Rush Limbaugh.
Work extra hard on the beginning of your story, so it snares reader's instantly. And know how you're going to end your story before you start writing. Without a sense of direction, you can get lost in the middle.
It is very, very rare where a slight that turns into a grudge that is in need of forgiveness is only about one of the parties. In most of our day-to-day situations - with colleagues at work, with your partner, with your children, with your friends - most of the time, if you really got down with each other and put aside your pride and your defensiveness and you had those hard conversations, you'd find a place where both people had something to ask for forgiveness from the other and to forgive the other.
My big philosophy is: Try and work with good people, because the process is your life. That's going to be really, really hard. I'm glad I learned the lesson, 'Failure is OK.
When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?
For me, it works best to plan just enough to come up with a good direction to head out in. Then I start down the path as soon as I can, without a very clear idea of what exactly I'm going to end up with. I try to leave a lot of time for flexibility and play and changing direction.
I'm still relatively unknown, and as an actor you just want to work. So, if you get a job, it's hard to turn it down, even if it's something you don't believe is great, you still want to put your stamp on it. And you really believe that by saying yes and bringing your best, you can help it out a little, or improve on something. But the hope is that you can get to a position where you can start to shape your career.
If your creativity comes out of your silence, out of your Zen, out of your meditations, then it is authentic, original. If it comes only as an occupation because you are feeling lost and there is nothing to do - a long holiday, so you start doing something... That is not coming out of your silences, it is coming out of your crazy mind.
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