A Quote by Mikhail Bulgakov

This twenty-year-old boy was distinguished from childhood by strange qualities, a dreamer and an eccentric. A girl fell in love with him, and he went and sold her to a brothel.
The dreamer in her Had fallen in love with me and she did not know it. That moment the dreamer in me Fell in love with her and I knew it
In the spring of her twenty-second year, Sumire fell in love for the first time in her life.
If a boy is not trained to endure and to bear trouble, he will grow up a girl; and a boy that is a girl has all a girl's weakness without any of her regal qualities. A woman made out of a woman is God's noblest work; a woman made out of a man is His meanest.
The problem is that your daughter has given her heart to a 15-year-old boy, and a 15-year-old boy does not yet qualify as a human being.
If it would destroy [a 12-year-old boy] to be called a girl, what are we then teaching him about girls?
We love a girl for very different qualities than understanding. We love her for her beauty, her youth, her mirth, her confidingness, her character, with its faults, caprices and God knows what other inexpressible charms; but we do not love her understanding.
My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
'The Marriage of Souls', like 'The Rationalist', is an exploration of humanist philosophy wrapped between the delicate leaves of an eighteenth-century tale. The story of the two novels - and they should be read as a two-volume work - centres around the old war-horse of boy meets girl, boy loses girl, boy finds girl. But what a boy and what a girl.
I have a twenty-month-old baby, a sixteen-year-old boy - same maturity level.
A mother takes twenty years to make a man of her boy, and another woman makes a fool of him in twenty minutes.
I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
If you're gay, you're gay. It's my Dennis Miller theory of homosexuality shot through the movie "Boy and the Dolphin." If you're a 12-year-old boy and you're watching the movie "Boy and a Dolphin" and a 27-year-old Sofia Loren crawls up out of the Aegean Sea after sponge diving, she's standing there in the deck of the boat in a see-through gauze top, rivulets of water dripping off her torso onto the deck of the boat. If you're a 12-year-old boy and you're watching that and you still want to make it with the captain of the boat, you're gay. You can't fight that. So it is what it is.
Don't forget I'm just a girl, standing in front of a boy, asking him to love her.
I have a 10 year old boy and a 6 year old boy and the stuff that they watch, it's always... I mean, it could be because we're a funny family, but they love the humor and combining humor with space action, I mean, you know, there's a winner right there.
I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for.
What's weird is when you meet a girl who is 23 and you are talking to her, even her voice is high-pitched, she's young. You ask her how old she is, she says, 'Twenty-three, how old are you?' and when I tell her I'm 41 it's like I've just told her I have cancer. It's, 'Oh my God, how long have you had that?'
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