A Quote by Mikhail Tal
Without technique it is impossible to reach the top in chess, and therefore we all try to borrow from Capablanca his wonderful, subtle technique.
Related Quotes
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
String theory has had a long and wonderful history. It originated as a technique to try to understand the strong force. It was a calculational mechanism, a way of approaching a mathematical problem that was too difficult, and it was a promising way, but it was only a technique. It was a mathematical technique rather than a theory in itself.
Chess can never reach its height by following in the path of science ... Let us, therefore, make a new effort and with the help of our imagination turn the struggle of technique into a battle of ideas.
For my victory over Capablanca I am indebted primarily to my superiority in the field of psychology. Capablanca played, relying almost exclusively on his rich intuitive talent. But for the chess struggle nowadays one needs a subtle knowledge of human nature, an understanding of the opponent's psychology.
But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt. He [Capablanca] wanted to change the rules [of chess] already, back in the twenties, because he said chess was getting played out. He was right. Now chess is completely dead. It is all just memorisation and prearrangement. It's a terrible game now. Very uncreative.
No technique is possible when men are free. Technique requires predictability and, no less, exactness of prediction. It is necessary, then, that technique prevail over the human being.
I have acting technique; I have singing technique; I don't have a writing technique to fall back on.
Capablanca did not apply himself to opening theory (in which he never therefore achieved much), but delved deeply into the study of end-games and other simple positions which respond to technique rather than to imagination.
Technique is the main thing when it comes to success at the top level. The sound temperament comes into work only when you have a sound technique.
I am a very technical guy. I'm proud of my technique, my fluidity, and my skill; that's what I work on every day. I try to out-technique guys.
In my world, the first thing I reach for is the sound. Technique is Ok, but if you got the technique and I got a good sound, I'll beat you every time. You can play a thousand notes and I can play one note and wipe you out. What I reach for is ... a sound.
What I reach for first when I play is sound. Technique maybe, but there is technique in sound.
Although most informed balletomanes would place artistry above technique, artistry without a strong technique is a flaccid, bloodless thing indeed, whereas technique without much artistry can still dazzle us in the manner of the circus or sports arena translated to a higher plane. Though the perfect blend of the two elements is the consummation devoutly to be wished, the real enemy of good ballet is not the slight preponderance of one or the other but the prevalence of pantomime--the turning of dance into second-rate theater.
Sahasrara is your awareness. When it is enlightened, you get into the technique of the Divine. Now there are two techniques - the technique of the Divine and the technique that you follow. You cannot act as Divine but you can use the Divine power and maneuver it.
The simplest spiritual discipline is some degree of solitude and silence. But it's the hardest, because none of us want to be with someone we don't love. Besides that, we invariably feel bored with ourselves, and all of our loneliness comes to the surface.We won't have the courage to go into that terrifying place without Love to protect us and lead us, without the light and love of God overriding our own self-doubt. Such silence is the most spacious and empowering technique in the world, yet it's not a technique at all. It's precisely the refusal of all technique.
The second mode to deal with unsafe cities is to take refuge in vehicles. This is the technique practiced in the big wild-animal reservations of Africa, where tourists are warned to leave their cars under no circumstances until they reach a lodge. It is also the technique practiced in Los Angeles.
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