A Quote by Michel Faber
I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them.
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The characters I'm most emotionally involved with are like friends you leave behind when you move away. You don't see them regularly anymore, but you still love them and keep in touch.
The characters Im most emotionally involved with are like friends you leave behind when you move away. You dont see them regularly anymore, but you still love them and keep in touch.
Let me think about the people who I care about the most, and how when they fail or disappoint me... I still love them, I still give them chances, and I still see the best in them. Let me extend that generosity to myself.
Let me think about the people I care about the most, and how when they fail or disappoint me, I still love them. I still give them chances, and I still see the best in them - Then let me extend that generosity to myself.
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
People tend to think that if someone is a movie star, that automatically everything is easier and there is less pressure. But all of them still keep that pressure on, are still inspired and still care about the work.
I can still boss people around. I can still write. I can still read. I can still eat, and I can still have very strong views.
Even if these stories are 3,000 years old, there's still so much about the characters, about the dilemmas, about their understanding of the universe that still resonates. The whole idea of order and chaos, which is really central to the ancient Egyptian understanding of the world, is still very much with us.
No matter how extreme things get, it still has that ring of truth about it that backs the characters - even though they're despicable and what they're doing isn't right you still care for their fate.
If you cared enough about your characters, what happened to them was interesting... it's important to care about them, about who they are and what they do...I don't really care whose side they are on, and they can be monstrous on the outside or, worse, on the inside, but you still have to want to spend time with them.
I've still got the same friends that I grew up with, I still go to the same places that I used to go to when I was younger, and it's just a very special place to me. I'm still very proud to call Iowa home.
My standards are so high because of who I serve but it doesn't put any water on my fire for winning. I'm still an intense person. You can be intense and saved. You can compete and still be saved. You can challenge a guy and still be saved. There was nothing soft about me as a player and there isn't anything soft about me as a coach. You want to be a man of integrity and you want the players to know that you care about them. Whether or not they still like you or not is a whole other deal.
We're living in a tremendously new landscape, and the possibility of what can be created is immense. These tools of the moving image have a relatively short history in art, and what we can do with them is still largely unknown. We are still innovating and finding ways to tell stories.
I studied philosophy in school, became disgruntled by the fact that it was a way to have a very interesting conversation with very few people about very few things in very narrow terms and yet still believed (and still believe today) that there was something that I was getting myself involved in when I said I wanted to study philosophy.
That's the thing that I'm really most proud of: that I'm still... people still would like to see me. I love seeing them.
Legally Blonde was a game-changer. That's an American classic. I was so proud to be Vivian Kensington. I still have an argyle barrette. Sophie Carbonell did such an amazing job with the wardrobe - it's just iconic. Yeah, that'll forever be - girls still like it. It's not dated to them. Little girls now still watch it.
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