A Quote by Michelle Dockery

In the early '20s, with the war over, there was a period of celebration, and you can see it in the fashion. — © Michelle Dockery
In the early '20s, with the war over, there was a period of celebration, and you can see it in the fashion.
Actors have a different kind of existence because they blow up over night into superstars in their early 20s. Let's say you were a superstar in your early 20s and somebody gave you millions of dollars, I mean come on. Let's be honest here, we don't know anything in our 20s.
I had a really strange period in my early 20s with the industry, and not succeeding the way I wanted to, and I put a lot of pressure on myself.
But when you realize that the story of your life could be told a thousand different ways, that you could tell it over and over as a tragedy, but you choose to call it an epic, that's when you start to learn what celebration is. When what you see in front of you is so far outside of what you dreamed, but you have the belief, the boldness, the courage to call it beautiful instead of calling it wrong, that's celebration.
I've met more than one person in their early 20s who has never heard of Jackie Onassis, though most girls have because she exists as a fashion icon.
If we look at the life cycle of technologies, we see an early period of over-enthusiasm, then a 'bust' when disillusionment sets in, followed by the real revolution.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'what's the party going on right now that I should be going to?
I bent my head over a stove in my early 20s and picked it up in my 30s.
I became a general contractor in my early 20s. I have been in the business for over 35 years.
I became a general contractor in my early 20s. I have been in the business for over 35 years
I admired fashion but I wasn't an "iconic fashionista" myself. I think as I got more comfortable in my skin, then I got a little bit more into fashion, but it's always been something I've been interested in because you can express yourself through what you wear and your accessories and everything else. So getting into my early 20s was really started to come into myself.
People tend to see modernism as the opposite of a celebration. They see it as a fracturing and an art built round an absence, but it's really a celebration of our existence.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
In my early 20s, there was a period when all I owned was about a dozen CDs and a crappy Discman. I'd listen to 'The Man Who Sold The World' album endlessly as I sat on off-peak trains jerking around the Sussex countryside to and from the asylum I worked in.
I don't get that - people going to war over religion. I don't know, I could see going to war over justice or democracy or even revenge. But if you're going to war over religion, now you're just killing people in an argument over who has the better imaginary friend.
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