A Quote by Michelle Forbes

For whatever reason, every project I do becomes sort of a cult, or a cultish show, you know, like 'Battlestar,' or even a film I did years ago, 'Kalifornia,' people refer to it as a cult film.
I don't think it takes much for a cult to be a cult. Many parts of our society are cultish, and you only need a charismatic leader and some teachings, and before you know it, you have a cult.
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.
I've done movies that I've been advised not to do. 'Dog Soldiers,' the movie I did 11 years ago now, I remember my agent at the time was like, 'You shouldn't do that. It's a weird film about werewolves,' and it became a cult hit.
I feel like sometimes, when I talk about 'Transparent,' I'm in a cult. And in some ways, I guess I sort of am, although it's a cult that pays me, and I don't pay it, so maybe that's a really good cult.
I would say that Jesus Christ and his followers were a cult, Buddha and his followers were a cult and Mohammed and his followers were a cult. Every religion starts out as a cult and if it becomes 'box office', it is accepted.
Well cult is a word you would never say in Hollywood. In any film business, if you're trying to get your next film made, you would never say, "Oh, my last film was a cult film." I'd say, "Oh great, well I hope this one isn't!"
In any film business, if you're trying to get your next film made, you would never say, 'Oh, my last film was a cult film.' I'd say, 'Oh, great, well I hope this one isn't!' I always say to Johnny Knoxville, 'How do you do it? You sort of do the same thing we did, except you made millions, and I made hundreds.'
'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.
The show I did in England catered to a broad range of people. I like that. I don't want nouveau cult status, though I know we've got that sort of audience in the states.
I did a film called 'Black Dynamite' that was very, very funny. That seems to be a film that's kind of a cult classic.
I think 'The Lord Of The Rings' is the mother of all cult books, because you can be in that cult and not even know you're in it.
Every good startup is a cult. And it's really hard to create a cult if you are sharing space with people. Because a cult means you think you are better than every other startup, you have a special way of doing things that's better than anyone else in the world.
There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.
Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.
'Psych' is a cult show, and anytime a show takes on a cult status, it means that the fans are a huge part of it.
My first horror film was - well, I don't know. 'Bless the Child' is sort of genre, but 'May' was such a cult hit that after that, I just started getting offers for horror. I think I got a little bit pigeonholed in it right off of 'May' because there was just such a large response to that film.
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