A Quote by Michelle Visage
I think Ru [Paul] gave me the best advice when he said to talk into a recorder and transcribe it. That is what worked for me. I just talked. Out of the talking I listened to it found what was cohesive. It all came together.
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People talked to me in a way I think they would not have talked to somebody who hadn't shared the experience; they gave me their papers, they gave me their diaries. I found people constantly opening up to me. And I think they did because I had shared that experience with them.
What crystallized the importance of speaking out like that - of making nonviolence not just a tool or a tactic, but a way of life - was in San Diego [at Comic-Con]. One of the young girls who marched with us was wearing a hijab, and she came up to me afterward because I talked about my beard, and I talked about why I was doing it, and she came up and she gave me a hug, and she was crying. And she said, "Thank you. You have no idea how the other students treat me because they're shown that this is OK by Donald Trump. Thank you for speaking out."
Johnny Depp gave me the best advice. He said, 'Keep your feet on the ground. Stay grounded. Remember where you came from.'
As far as advice goes, an ex-father in law of mine once gave me the best advice I ever heard. He said, "Take my advice and do what you want to." So with that, go on.
I met Steve Austin at an airport in 2005, and he gave me the best piece of advice I could ever receive - to keep running my mouth and never stop talking! I took that advice to heart, and it has helped me get where I am today.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
I came home [after funerals] and I thought if I go back to California, where I had a small house, I don't think I'll ever come east again. So I decided to stay and go through the halls and stairways, talk to Gilda Radner, holler, express some of my anger and make sure there were no ghosts in the hallways that I should ever be afraid of.And then I found out - it sounds strange, but I found out she had left me the house. We never talked about her dying and what she was going to leave me or I would ever leave her. We just didn't talk about those things.
My mother gave me one piece of advice that stuck with me. She said don't forget where you came from.
My dad said to me, 'Work hard and be patient.' It was the best advice he ever gave me. You have to put the hours in.
We need to talk.” “I’m just – Look,” I said, as he took a step toward me. “I’m just going to give Cee Cee a call and maybe we’ll go to the beach or something, because I really … I just need a day off.”Another step toward me. Now he was right in front of me. “Especially,” I said significantly, looking up at him, “from talking. That’s what I especially need a day off from. Talking.” “Fine,” he said. He reached up and cupped my face in both his hands. “We don’t have to talk.”And that’s when he kissed me. On the lips.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
All of nature talks to me - if I could just figure out what it's saying - trees are swinging in the breeze. They're talking to me. Insects are rubbing their legs together. They're all talking. They're talking to me.
Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
I remember, when Paul Collingwood first came into the dressing room, we did everything together. We practised together, trained together, had dinner together; we batted together and did well in games together - we were thick as thieves. When he got established, he just binned me.
Me and Ron C, I was cool with a lot of his family. We went to church together and one of his cousins, B Sight, that was my boy. We had a couple jobs together matter fact, we used to get down, he gave me the nickname Paul Wall. For some reason he just always called me that.
The best piece of advice I ever received about being a writer came from my brother Lee. I was just starting out and he told me that if I wanted to have a long career, I had to be versatile, that I shouldn't just think of myself in one way, because there would come a time when maybe that one thing wasn't working out for me - and I'd still want to earn a living as a writer.
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