A Quote by Michelle Wu

We've got to change the culture of riding the T. It is a civic space for community conversations, but everyone's always really quiet on there. — © Michelle Wu
We've got to change the culture of riding the T. It is a civic space for community conversations, but everyone's always really quiet on there.
The Civic Culture (and The Civic Culture Revisited) remains the best study of comparative political culture in our time.
The writer crafts their ideal world. In my world, everyone has really long conversations or just picks apart pop culture to death and everyone talks in monologue.
I can only get to a certain point as I write and then I have individual conversations with everyone that I cast. I always do a rewrite based on the conversations.
I grew up in a small town where we played around on motorcycles and things, but it really started when I got old enough. I think I was obsessed with the culture of riding. I got sick of having to date guys who rode motorcycles for me to be on them.
You don't have the same mentality as you did five years ago - even one year. People are always changing, and I believe that everyone deserves the space to change and for people to recognize their change.
I was always fast riding bikes with my brother who got me on a bike. There was little to do so I ended up riding everywhere. It was both my transportation, entertainment, and a good way perhaps to make a living I hope.
The theoretical recognition of the split-space of enunciation may open the way to conceptualising an international culture, based not on the exoticism of multiculturalism or the diversity of cultures, but on the inscription and articulation of culture's hybridity. It is the inbetween space that carries the burden of the meaning of culture, and by exploring this Third Space, we may elude the politics of polarity and emerge as the others of our selves.
The good thing about 'Have I Got News For You' is it's a compact show but it still gives everyone space to breathe, and everyone always gets a chance to say something if they want to. It's a very difficult show to dominate, and guests who come on and dominate always fall foul.
Things change; your priorities change in life. So I'd never think of riding 100 miles on Christmas Day now, because I've got two kids, and it's selfish.
Our preoccupation has always been to craft space in such a way as to induce social interactions that would in turn generate a sense of community and a culture, but starting from the very immediate issue of how action influences perception.
We're not really in the real-estate space so much as we are the community-building space.
Something as simple as transparency is really scalable because it quickly impacts the culture. And the culture is something everyone feels. If upper management is really transparent with everyone, that has this amplifying effect. Then you tend to attract players who operate that way, on the same wavelength, and coaches and fans.
Change is a journey and the journey is always about change. And if there is no change, why bother with the journey? And the best journeys require lots of space of one sort or another. So for great journeys - just open space.
The objective of the Classical Art of Riding is to train the horse not only to be brilliant in the movements and the exercises of the High School but also to be quiet, supple and obedient and by his smooth movements to make riding a true pleasure
I think we really need a movement to drive how popular culture understands the issues that feminists care about. When I think about the LGBT movement for example, they have had a really intentional strategy to try to change images and representation of LGBT people in the media and the culture. It really moved the dial politically. That's what is needed in the women's movement - a strategy that can drive awareness and culture change.
I've always been a pretty private, quiet kind of person and so I haven't had to change my life really at all, I don't think.
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