A Quote by Mick Fleetwood
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
Related Quotes
People think that I'm mean because I'm quiet, and I don't really go out places or because I don't really say too much. On the other hand, people think that I'm soft because I may not handle myself the way other people handle themselves. That's just not me. They don't know my background or none of that stuff.
Examining other people's motivations, other people's language and other people's way of interacting is much more fascinating to me than spending a lot of time worrying about my own. I've said, 'What other people think of me is none of my business.'
There's all of the DVD extra material and all these other pieces of information that don't fit into a 90-minute experience, but it's still content and people still want to see it. It's being open to [the fact that] the business is changing and being open to how you can make money to afford you to stay in business to keep making new things. I think you just have to have an open mind and be really smart about stuff and not be so locked into the conventional way of how the process used to go.
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
Some people may have thought that this book was too personal, too confessional. But what these people think about me is none of my business.
If people knew how badly animals were treated in today's factory farms, if people knew how completely confined and immobilized these creatures are for their entire lives, if people knew how severe and unrelenting is the cruelty these animals are forced to endure, there would be change. If people knew. But too many of us choose to look the other way, to keep the veil in place, to remain unconscious and caught in the cultural trance. That way we are more comfortable. That way is convenient. That way we don' t have to risk too much. This is how we keep ourselves asleep.
When a lot of people think about how to be business-savvy as an artist, they think about how to brand themselves. At the end of the day, that stuff doesn't really help you. People know when you're being fake.
A lot of people view science as dull or boring, and I think the stance we take, using humour, not taking ourselves too seriously... I think people enjoy that. I think it's quite refreshing.
We were thinking about how other people deal with this career on every song. We got to meet people like Thom Yorke and hear him say how it's never normal when fans just come up to you. It's always a strange job. We don't want to come off like we're pitying ourselves for having this job because it's really amazing in a lot of ways. But there's a lot of stuff that comes with it that we're not really comfortable with.
I used to think about how I was conceived quite a lot when I was about 10 or 11, but I don't think about it at all now that so many other babies have been born in the same way.
I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.
Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
In the record business, if you sign an artist that don't really know too much about the business, you can really get over on them in a lot of different ways, so it's a lot of people that don't give artist the game because they're trying to make the most money in the fastest way off their artists.
I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.
The real truth is that the war didn't have much to do with it except that it provided a perfect limbo in which two people who were too young and too related could start kissing without anything or anyone making us stop.
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