A Quote by Miguel McKelvey

When we first started we felt something changing in terms of work, and we felt it was a global shift. People were taking control of their future, not just in terms of making money. They wanted to control their own destiny.
You can't control whether or not you have talent. You can't control whether or not your work will be recognized or valued. But what you can control is how much work you put your art-both in terms of creating it and in terms of getting it out there-and that is where I try to focus my energy.
I had taken some of my solo music into the record label. They didn't really care for the direction I was moving in and I found it really disheartening. They wanted a pop hit, which I understand in terms of making money. I get that. But what they were going to ask of me was something I wasn't prepared to deliver and I felt kind of trapped. I just stopped writing. I just stopped. It was stifling.
As a TV actor, I was making money and spending it and always felt a certain void in terms of work.
All I know is that if we play well, we control our own destiny in terms of what we do.
He named me. He liked the sound of it. And I said, well, all right. I felt a little odd about it. I don't understand all that name changing business anyway... No, he felt that Lauren Bacall was better sounding than Betty Bacall. He had a vision of his own. He was a svengali. He wanted to mold me. He wanted to control me. And he did until Mr. Bogart got involved.
No man can claim to be free in real terms unless he is fully in control of his own destiny!
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
The three most disastrous inventions of our time have been the birth control pill, the camera and nuclear weaponry. The first offers sex in terms of sterility, the second reality in terms of fantasy, and the third security in terms of destruction.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didnt read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
So I was always passionate about it and felt that it was sort of the golden thread inside me in terms of what I was supposed to do in terms of work but I think I have relaxed a lot in terms of the actual experience and actually enjoy it more and enjoy the people more.
When I hit, I felt I was in control of the home-plate area, and it was important that I felt that way. If I let the pitcher control it, it would give him an advantage.
We have been negotiating a lot of different transactions to save money on contracts that were terrible, including airplane contracts that were out of control and late and terrible. Just absolutely catastrophic in terms of what was happening, and we've done some really good work. We're very proud of that.
I always felt that I had anxiety of survival in terms of livelihood even when I was making plenty of money.
I wanted to make pictures that felt natural, that felt like seeing, that didn’t feel like taking something in the world and making a piece of art out of it.
I've always felt, as a person, that I wanted to make people feel included and loved because I think at some point in all of our lives, we've felt not included and unworthy, especially in terms of appearances.
I enjoyed the NFL. I respected the players. It was a great opportunity to learn a lot of things, but the challenges were a little different, and it didn't seem that you could control your own destiny, especially in terms of how you could bring players to the team.
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