A Quote by Miguel Zenon
Even though there is randomness and improvisation in my music, I want to have some concrete idea that I can hold onto.
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Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.
What we've noticed is that people latch onto our music, and are very, very supportive of it, even almost defensive about it. Quite fanatical, some fans, aren't they? Just like they are in England, once they get a hold of "their" band, they don't want their band to get too big anyways.
The world cannot hold onto you, for the world is not sentient. The world doesn't have a mind nor does it have desires; it is only your mind's objectivisation. It is your own mind's play which imagines that an object-call it the mind or whatever-can hold onto you. It is the idea you have of who you are that is holding onto its own fearful projections as the mind. Leave all of this and remain as the pure, joyous Self.
Beyond all of this is something else, perfection; not just as an ideation, but as a living reality. Even though it may just be an idea for you, hold that idea in your mind.
The main three components are the blues, improvisation - which is some kind of element that people are trying to make it up - and swing, which means even though they're making up music, they're trying to make it up together. It feels great, like you're having a great conversation with somebody.
When some systems are stuck in a dangerous impasse, randomness and only randomness can unlock them and set them free.
Everyone's opinions about things change over time. Nothing is constant. Everything changes. And to hold onto some dogged idea forever is a little rigid and maybe naive.
I mostly write to music, even though I know I sound free-form a lot. Then there are times when I'll have a concept and hold on to it until I come across the right music that makes a marriage.
Sometimes when things break, you can hold them together for a while with string or glue or tape. Sometimes, nothing will hold what’s broken, and the pieces fly all over, and though you think you might be able to find them all again, one or two will always be missing. I flew apart. I broke. I shattered like a crystal vase dropped on a concrete floor, and pieces of me scattered all over. Some of them I was glad to see go. Some I never wanted to see again.
Even though the music I make gathers influences from all over the place, I feel that the core of what I do comes from the jazz tradition. In terms of improvisation, interaction, feel and overall concept, Jazz is my main source of information and inspiration.
It's very interesting to read why Cornelius Cardew became disenchanted with academic avant-garde music. He wanted to reach as many people as possible and change their consciousness. He wanted to reach the "working classes" in England. The kind of music he was making was very much from the academy, even though it had a lot in common with things like free jazz and improvisation, and he felt that it was the music of the elite, and that he wasn't really speaking to the people.
If I hold onto something it's because I want it not because I want to display it or show it to somebody else. I've got some cool stuff, I've got some cool things.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
We pursue exercise even though empirically we see no benefit from the energy we're spending and we're hurting. So empirically we should quit. The why is exactly the same thing. You persist even though there are some short-term stresses and even though there is some uncertainty.
If you look at items of clothing like denim or polo shirts, they came from someone else's idea and everyone now makes them, but even so, I sometimes want to buy into the newer thing because it looks good or whatever. I mean, I copy many things - almost everything I do could be called a copy in some way. But I copy with a certain respect. I have a high regard for the original, and so I want to put my twist onto that. It's just like sampling music - when it's done well, the new work communicates a respect for the original source material.
I've heard some tunes in recent years that were pretty close to that same idea. The idea was you turn on the radio and you want to hear some music and up comes a commercial.
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