A Quote by Mike McCready
'Even Flow' is the best to play live because of the long solos. It starts out slow and builds, and, depending on what the audience does, I can reflect that in the solo.
Related Quotes
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.
That solo on "Lord, I'm Discouraged" in terms of notes it isn't anything like it, but in terms of aesthetic, it's direct rip-off from the "November Rain" solo. In fact, when I did it, I imagined myself walking out of a church, walking out onto a cliff and doing a guitar solo. Slash has always been one of my favorites because the guy uses a lot of melody in his solos.
I think what AC/DC does best is play live. That's when everything comes together. Even after you make a studio album, when you go out and play live, that's when you learn what being in a band is all about.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.
Baseball does become slow sometimes. It's totally unnecessary. The - you can play baseball fast. You can play it slow, and for some reason, we have chosen to play it slow, you know, which is unfortunate, but nothing you can do about.
Sometimes when I do an overdub solo, they'll keep four or five of my attempts and then mix the bits that they like to make a solo up out of them. It's not against the rules, really - I can learn my own solos, then. But that's the whole beauty of multi-track recording, isn't it?
Every girl is a singer. I wanted to learn the solos and play lead guitar. I would meticulously teach myself solos so when dudes were like, 'Oh, you're a girl, you can't play guitar,' I could rip these insane Telecaster blues solos and tell them, 'Yeah, I can burn up a fret board.'
I was jumping out of my skin. It was horrible. I was all over the place, because I'd never been in front of a live audience. That's a whole other element in the play, the audience.
'Endgame' resists narrative and even thematic explanation. How you play it has to reflect this. If you decide something too much in advance, you forget the element that gives the play life - the audience.
Love is like pancreatitis; it starts off slow, then builds in intensity until you become consumed and develop violent cramps.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.
When I'm playing live, I'll rip out a ballad from my album, and I'll play that solo on the piano, which feels really good because it kind of takes me back to when I was younger.
I love the theater because I love the live audience and when we went three cameras we have a live audience in the study so we had someone to play to and react to. That laughter.
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