Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
I play a guy who believes he's a king. He's the most common man in the world; in fact his family, like his suits, are just make-up. It's about dysfunctional people and dysfunctional relationships.
Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.
A dysfunctional team means a dysfunctional - and likely doomed - company.
People who come from dysfunctional families are not destined for a dysfunctional life.
Without writers, none of the entertainment would exist. It starts with writers. Writers are the most important piece of the entire puzzle.
I came from a dysfunctional family - very dysfunctional. And my father used to find great humor in throwing me down the stairs.
The world is full of educated derelicts.
Matt Hardy may be dysfunctional, but you can't spell dysfunctional without fun. My goal in the professional wrestling industry is to put fun into the dysfunctionality of it.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
David Foster Wallace, in my opinion, is one of the greatest writers we've ever had, certainly in the last twenty years. His obvious dominance of the English language is partnered with honest moments and the most beautifully dark sensibility.
Most families are dysfunctional.
The whole world is one big dysfunctional family. But no matter how dysfunctional we are, we can still have a positive impact on each other's lives. We can still try to get along together.
I know of three ways to recognize another writer: Writers are shamelessly nosy. Writers tell good stories, even about dumb old, daily things. On most writers, the earmarks of thrift, if not outright povery, are evident.
Most great writers suffer and have no idea how good they are. Most bad writers are very confident. Be willing to be a child and be the Lilliputian in the world of Gulliver, the bat girl in Yankee Stadium. That’s a more fruitful way to be.
Living in a cultural milieu where the foreign writers most widely available and admired were Russian, I came very late to postwar American writers, and I had great trouble with the canonically exalted white male writers I tried first.