A Quote by Miquita Oliver

I was only 15 when 'Popworld' started. We had no money, no budget, no one knew who we were - they just wanted a nice pop show. — © Miquita Oliver
I was only 15 when 'Popworld' started. We had no money, no budget, no one knew who we were - they just wanted a nice pop show.
I wasn't a 'Star Trek' fan, yet I knew who all the characters were. that goes to show what an impact the show had not just in entertainment but in life. I knew who Chekhov was and I knew who Kirk and Spock were, although I probably had never seen the show.
I wasnt a Star Trek fan, yet I knew who all the characters were. that goes to show what an impact the show had not just in entertainment but in life. I knew who Chekhov was and I knew who Kirk and Spock were, although I probably had never seen the show.
In the beginning, me and my bandmates just did stuff on our own - we had smoke bombs, we'd dress as crazy and as weird as we possibly could, just to give ourselves a different ambience. But when we started making money, of course, the ideas started getting bigger. We were big fans of Broadway; we were like, "Man, when you go see a Broadway show, you just get pulled right out of reality; you're into their world for a two-hour period. It would be nice if we could do that onstage with a music concert".
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
Well, it'll always be disco/electro-pop. That's what I first wanted to do when I started out as a musician in 1977. It's only ever been dance-pop that I've wanted to do.
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest problem that we were having on the financing front was people with lots of money saying "you need more money to make this film [Moon]," and us saying "no this is the first feature film we want to do it at a budget where we sort of prove ourselves at the starting end of making feature films; we can do this for $5 million." That is where the convincing part between me and Stuart came, we had to convince people with money that we could do it for that budget.
I wasn't that academic, but I always made sure I was earning money. I never wanted to put all my eggs in one basket. Even when I started doing music, my parents were like, 'You need to work; you can't just live off music.' I always knew that. So I worked until I knew I was going to be financially okay.
Touring was an abstract idea for me in the beginning. I didn't know where it was going to take me, but I knew that I wanted to go and play for lots of people. I always had that image in my mind. I had no idea what the touring experience was like, and how it was going to unfold, but I knew that I wanted to tour. Then it just started happening slowly started happening.
I met my wife when we were 15 years old. I knew within 15 minutes of meeting her, that's who I wanted to marry.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.
No one in my family had a retail or marketing background. They were professionals. They didn't understand just what I was doing by going into retailing. After I started, though, it got into my blood. I knew this was what I wanted.
I was told that I don't understand radio, should go into sales and all this. It was only my desire and love for what I wanted to do and what I was doing that kept me plugging away. I never at any time was motivated by an "I'll show them" attitude. Never was I motivated by, "I'll show them," that wasn't it. I just loved it. It was what I wanted to do. I was lucky to learn early in life what I wanted to do, and I knew how to define success, even though by the time I'm 33 I still hadn't had any. I was just on the verge of it, and I'd been working since I was 16.
I had no problem with Ritchie. Ritchie and I never argued. We never had a problem. I think I was always able to write the things that he wanted - until he decided he wanted to be a pop star. And then he started doing pop music. And once he did that, that was the end for me.
I started getting tattoos, and the hair would grow back out and grow over a nice piece of artwork that I really wanted to show, and it just became one of those things. I can't stand the hair on my body. I just wanted it gone. It's just a better feeling for me.
I started out as a pop singer, then pop died down, and I had to dig my feet into Bollywood which is not something I wanted actually.
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