A Quote by Mitch Grassi

It's hard to pinpoint, but there's something really special about all-vocal music and Christmas music paired together. I'm not really sure what it is, but it's just a magical combination.
The nature of touring is packaging acts together that have strong catalogues of music. It's about making sure that it's a winning combination. It's really about giving people value for their money.
People used to think of vocal music as boring choir stuff, once you figured out that you can do crazy beat-boxing, awesome bass lines (and) throw everything together, you just have really cool music.
I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.
The truth is the music is really an incredible personal part of the movie. When I was drawing the storyboards for Watchmen, I had just gone to my iPod and was grabbing music. It took me about two weeks to really put my playlist together. But once I had it, I kinda just put my headsets on and drew for five months. But that music's the music that's in the movie.
There's really nothing better than music to bring people together and to have amazing music being not just created inside walls but then decimating and activating is going to be special.
I think a capella and Christmas music just go really well together.
I feel that when Chad is in the room, I can tap into this other thing where music comes from. I don't know. It's just this really magical, special connection and relationship.
House music is like going to church - it touches you. There's something really magical about it that pulls you in, and you just want to keep learning more about it.
For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
I'm not really interested in music. Music is just a means of creating a magical state.
It's important to me to not stay too confined to any specific sonic space. There is something really magical about straight folk music - it's not that I don't like it, it's just that I like so much music, I hear so many different things, and I want to try more. I don't want to be confined.
I think when you hear good music or the experience you have to the music which makes you remember it, it's so priceless. Really, it's the same thing for us when we make it, to actually see the idea come together to be something that's special and then to see people kinda degrade it, it is a little discouraging.
When I was done with high school, I knew that music was really important to me and I knew I didn't want to be a cellist, but I wasn't really sure if I wanted to be a composer, or think about - I was just interested in the ideas behind music, I was interested in mathematics.
I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.
What I have that's special in my music is substance. It's music that people can really relate to. I know I'm gonna rap something that somebody has already been through in their life, something that they will understand.
I'm obsessed with the power of music and image together. There's also something about music videos that are incredibly glamorous - there's a fetishistic aesthetic to them that you don't really see in movies in the same way.
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