A Quote by Mojo Rawley
Everybody goes home at the end of the day and looks at themselves in the mirror and sometimes they see things that they want to see that they like, and sometimes they see some things that they don't like.
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Since I was a kid, I've liked to see how things are done. Sometimes when you see how things are done, it's like watching a 'making of' within the story. You see the physical aspect, the construction of things.
One of the things that I think you see sometimes in politics is a certain degree of caution. It's usually advised by consultants who don't want to see you march to the end of a limb.
Sometimes, they wait. Sometimes, you see the dead come in to the harbor, and their old dogs are all along the docks, wagging their tails, for they have waited for their masters and mistresses for many years. You see mothers who have missed their sons. Fathers who had never spoken of love to their children, ready to embrace them as they voyage from the end of life. It shows the lies of this world, you see. We are wrong about so many things here. Mankind has done terrible things, yet we are forgiven.
You know and I know that as soon as it's done, you have to get it out there. You want what's best for it. And especially in owning a label, which some days is the greatest thing for me and in some days is my demise because you see the truth and the work that goes into things and you see things happen and you see things not happen, and all you want in this world of currency right now is popularity, that's it!
It's critical to be able to see things in other people that sometimes they don't see in themselves.
Sometimes I'm happy - you can tell via Twitter. Sometimes I'm pissed off - you can tell via Twitter. I just think, at the end of the day, I don't want them to see me as a celebrity; I just want them to see me and say, 'He's like a regular person at his job right now who's mad.'
Writers sometimes write things for me and I like to see what they write because I want to see what their take on my delivery is or what they think that I can do with something. So I kind of leave that to them.
If you go to the gym and you come home and look into the mirror, you'll see nothing. If you go the next day and you come home, you will see nothing. In fact sometimes you're in pain.
It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. Well, sometimes I can do that, but I don't need an hour in front of a mirror. It just happens very fast, and things start to slip away. And I just open my eyes, and I see nothing. And then I start to breathe really hard trying to see something, but I can't. It doesn't happen all the time, but when it does, it scares me.
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
Sometimes you just wanna go out, see your action movie, be done with it, come home. You know, and, like, you see 'The Matrix' or whatever, you see whatever film it is, and you're like, 'Oh cool,' whatever.
It's interesting to go places and see that, at the end of the day, people just want to feel safe, and what that looks like to them varies... but that was encouraging to see that there is more common ground than perhaps I realized.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
I feel, in drama, you don't need to be fed everything. Even though sometimes when you watch, you want to know what happened and you want to see it, I feel like sometimes it's so much stronger to see the effects that those actions have had.
The hardest lesson is Clare’s solitude. Sometimes I come home and Clare seems kind of irritated; I’ve interrupted some train of thought, broken into the dreary silence of her day. Sometimes I see an expression on Clare’s face that is like a closed door. She has gone inside the room of her mind and is sitting there knitting or something. I’ve discovered that Clare likes to be alone. But when I return from time traveling she is always relieved to see me.
When I say that life is like an onion, I mean this: if you don't do anything with it, it goes rotten. So far, that's no different from other vegetables. But when an onion goes bad, it can either do it from the inside, or the outside. So sometimes you see one that looks good, but the core is rotten. Other times, you can see a bad spot on it, but if you cut that out, the rest is fine. Tastes sharp, but that's what you paid for, isn't it?
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