A Quote by Molly Crabapple
I came in as an established artist. People were hiring me for what I did and for who I was. I think that has given me a vast amount of leeway; I feel so lucky that I came in that way.
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Here's the thing that I think really pushed me, was my versatility. Because when I came in to the movie business, all the stunt men were specialists. If you did horse work, that's all you did. If you did cars and motorcycles, you did that. But when I came in, I taught myself how to do everything.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
As an artist, I feel so fortunate to be able to learn from all these great musicians that came before me, when some people have nobody that came before them.
You see the amount of bullying and negativity that goes on [social media] that is really, really intense, and I feel lucky that I came of age before all of that came on.
I am a lifelong career artist, which itself is a bit of a miracle. It's really challenging to be a career artist. I would say that the argument for grant funding is not only did my movie do some social good - hopefully it opened people's eyes - but you created a working artist. I'm hiring cinematographers, I'm hiring production designers, I'm hiring producers.
The WWE also embraced more of a reality-based approach to wrestling a year or two after I established it. I knew, deep down inside, were it came from. The WWE did it better than I did, and they're still here, and I'm not, but nonetheless - I knew where it came from.
'Ice Age 4' came totally out of nowhere for me. I was told Fox Animation was interested in hiring me as a story supervisor or something or other that sounded way too professional for me.
Metallica came along for me at a time and had an affect on me that I feel is the most pivotal moment of my life. I don't think there's been anything else that's even come close that's affected me in the way that that band did when I was a child when I was 11 or 12 years old, and where it went from there.
First they came for the Jews, but I did nothing because I'm not a Jew. Then they came for the socialists, but I did nothing because I'm not a socialist. Then they came for the Catholics, but I did nothing because I'm not a Catholic. Finally, they came for me, but by then there was no one left to help me.
Actors should stop complaining about nepotism. I am uneducated - I was asked to leave school in Class 11. I came to Mumbai with only Rs 300, yet there is no one in this industry who has not been nice to me. From filmmakers who have given me work to people who have given me advice, I feel blessed to have them in my life.
The point came when people were doing things I didn't feel competent to do myself. I'm not being modest; I honestly get lost. I was lucky in spotting what I did when I did, but there comes a point where you realise what you're doing is not going to be much good.
I don't know if I came to this life with it or if it's something that came to me in my childhood, but I do feel that some of the things my parents said to me and how they raised me really stuck with me.
I don't think Hollywood was trying to do anything with me. In fact, they lost interest pretty quick. I think I got lucky, briefly, in the '90s, and it just so happened that those movies were the opportunities that came my way. Then it just kind of stopped.
I was a bit scared because I came from the acting world. There was a fear that people would think of me kind of as a joke. But really, people think of me as a country artist who can act. That's my favorite compliment.
I still think most of my success came from the audience's reaction to me. It's weird when that happens but a lot of it came from what I did inside the ring.
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