A Quote by Mona Simpson

I'm a believer in using whatever works for fiction, but mostly, that's not life. — © Mona Simpson
I'm a believer in using whatever works for fiction, but mostly, that's not life.
I was a teacher most of my life, which I loved. I had a very happy working life, and when I retired, I thought I must do something, and I've always read a lot of fiction - you learn so much from fiction. My sentimental education came mostly from fiction, I should say, so I thought I'd try.
I'm mostly fine with anyone using my music for whatever. Everything's just compost that gets reused.
Rules such as "Write what you know," and "Show, don't tell," while doubtlessly grounded in good sense, can be ignored with impunity by any novelist nimble enough to get away with it. There is, in fact, only one rule in writing fiction: Whatever works, works.
I do read a lot, and I think in recent years the ratio between the amount of non-fiction and fiction has tipped quite considerably. I did read fiction as a teenager as well, mostly because I was forced to read fiction, of course, to go through high school.
come back believer in shade believer in silence and elegance believer in ferns believer in patience believer in the rain
I'm a big fan of non-fiction, and I am a believer that fact is much more exciting than fiction.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
The most deeply personal of my works are the non-fiction works, the autobiographical works, because there, I'm talking about myself very directly.
I have lots of fiction in the drawer, but the essays I mostly kick out into the world, ready or not. Fiction incubates differently, I suppose.
'Filk' is the folk music of the science fiction and fantasy community - you get parodies, you get traditional music that's had the words slightly modified, and you'll also get just original works that have been written about science fiction and fantasy works, or with science fiction and fantasy themes.
There's basically an element of fiction in everything you remember. Imagination and memory are almost the same brain processes. When I write fiction, I know that I'm using a bunch of lies that I've made up to create some form of truth. When I write a memoir, I'm using true elements to create something that will always be somehow fictionalized.
Historically, I guess that's how science fiction works: you start by using aliens to think the unthinkable ? and then, eventually, another writer, having grown a little more comfortable with the earlier notion, brings it into the human.
Science Fiction is not just about the future of space ships travelling to other planets, it is fiction based on science and I am using science as my basis for my fiction, but it's the science of prehistory - palaeontology and archaeology - rather than astronomy or physics.
I tend to mostly take the day off from working on Sundays, but I do spend some time reading. Mostly what I'm picking up is what's in stores. I really do love to read fiction from the last year or two.
I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
One of the dangers of science fiction, particularly bad science fiction, is that you have these scenes where the characters turn to a blackboard and start explaining how this faster-than-light drive works, or something like that. We never really have those conversations in real life. That's not part of the way we interact as human beings.
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