A Quote by Montel Williams
You see the images that the public is demanding. Why more reality-based TV? You'd think that after the first Survivor it would have gone away, but it hasn't. The public demands it because they get all caught up in the personal stories, and want to see more and more.
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Why more reality-based TV? You'd think that after the first 'Survivor' it would have gone away, but it hasn't. The public demands it because they get all caught up in the personal stories and want to see more and more. Every new 'Survivor' is going to show you more.
I think in terms of me shying away from modelling, I would like to clarify in some way that I was taking a break from many things in my life and obviously what people in the public see is that I'm pulling away from what is more public.
You see now more girls getting involved in their sports because they can see it on TV and see these people playing, and I think - the more and more it's exposed and is out there - it will continue to grow and grow. They watch it on TV and think, 'Well, that could be me!'
I've got to keep my name out in the public eye. That's how you get more fans, and the more fans you get, the more want to see you fight for the title.
I think the more web video there is, the more press you'll get, as well as all the people who want to tell stories that haven't been told before but can't do that on TV because different stories are a risk.
To figure out what people think, look at the stories that they tell. We might never get away from the image of Sheldon from 'The Big Bang Theory' breaking down in the middle of the store, not knowing which console to buy, but we can see in TV and movies how regular characters are more and more starting to play games.
More American young people can tell you where an island that the 'Survivor' TV series came from is located than can identify Afghanistan or Iraq. Ironically a TV show seems more real or at least more meaningful interesting or relevant than reality.
If you're in the NFL for more than five minutes you see that you can be here today and gone tomorrow. That's why I played the way I did. I think that's why I worked hard to not miss a game, fight through injuries and all that stuff because when it's gone, it's gone.
If your intentions are already bad, and then you still make giant mistakes, it seems like things just get worse. I get little joy seeing this, because what I don't see is the public saying, "Wow, those guys are really bad, maybe we should re-evaluate everything." I don't see that response with the scandals, I don't see it with the indictments, I don't see it after Katrina, I don't see the public going, "Wow, let's really re-examine the entire direction this country is going."
The pop culture has become more frenetic. There are more forces at work that are far more invasive. However, I think it would be perfectly doable to defend ones loved ones from some of the harsher aspects of public life. You’re not going to be a 100% successful. But you can see when it’s on purpose. It’s so blatantly easy to avoid at times and you can tell when it was unavoidable.
But as coaches, we need to get a little more fire and passion and be more demanding that our guys get the job done. I think players will respond to that, and we'll see.
The chance to tell personal, language-specific, culturally specific stories is really flourishing on TV and I think it's just the nature of movies and international demands that you need to get a much bigger audience. TV is more like independent film was. The forms of adult drama and certain kinds of sophisticated comedy, there's no room for them in the tentpole movie universe.
If I take a lick from so and so, I'm not going to get that many variations from it, because their phrases are just based on a scale. That's why I say Wes Montgomery has more substance than others. I find myself listening to the older players. You see one bar of theirs and you can get one hundred more licks out of it.
There are those superstars who refuse to give anything of themselves to the public except what they see on-screen. In movies and on records, it's easy to insulate one's self from the public; that's why I think I wouldn't care to be a television performer, particularly in the States, where TV stardom is so intimate.
When you start to see things that are well-executed you'll watch a lot of stuff in 3D and see the same scene again in 2D and realize, "Oh, my god, it's like you turned the color off or the sound off." Once you get used to it, I think audiences and the public will want more of it.
Reality is a harsh mistress. She demands our honesty. She demands our work. She demands that we give up comforts, that we let ourselves feel pain, that we accept how small we are and how little control we have over our lives. And she demands that we make her our top priority. But she is more beautiful, and more powerful, and more surprising, and more fascinating, and more endlessly rewarding, than anything we could ever make up about her.
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