A Quote by Morgan Neville

I feel like there's a lot of sympathy and camaraderie among documentary filmmakers. — © Morgan Neville
I feel like there's a lot of sympathy and camaraderie among documentary filmmakers.
I don't want to be on a soapbox, but I feel like a lot of documentary filmmakers are part of the ancient tradition of writing down notes, of saying, 'Hey people, hey people!'
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
I'm influenced by a lot of filmmakers; I like English filmmakers because I feel a kin to them.
I think independent filmmakers, documentary filmmakers - they are journalists.
I've been encouraging documentary filmmakers to use more and more humor, and they're loath to do that because they think if it's a documentary it has to be deadly serious - it has to be like medicine that you're supposed to take. And I think it's what keeps the mass audience from going to documentaries.
If we have anything to offer, as filmmakers and as TV makers now, it's this ability to feel as close to a documentary as you can get in a narrative form.
I've often thought even ragtag gatherings of documentary filmmakers are more fun than gatherings of fiction filmmakers.
While it is increasingly possible for filmmakers to find an audience on their own (something that is particularly popular amongst documentary filmmakers) I'm still a believer in the "specialist". By this I mean, I back myself as a filmmaker, but I leave the marketing and distribution of my films to the experts.
There was a lot of camaraderie among the bands. I remember a lot of times when I'd be driving up Laurel Canyon and pass by the house where Frank Zappa was living and I'd just see people out on the porch playing guitars.
My heroes among filmmakers would be people like Buñuel and Pasolini, who were of very high cinematic intelligence, but tread on a lot of toes.
Children change a lot in terms of personality. Camaraderie that you feel with somebody might not be there a year later. That group might not have the same chemistry. So I completely understand why they're rushing into it, because they probably feel like they have to.
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
I don't try to kind of go for the overly sympathetic. I don't really like sympathy; I don't like it for myself. Sometimes sympathy you feel like, you're kind of trying to victimize someone.
My siblings and I were raised like tenants, to be honest. There was a total absence of intimacy in my family, though there was still a great deal of camaraderie among the kids. Things were set up almost like a business, and it had to be managed that way because we were really poor, and there were a lot of mouths to feed.
Objectivity is the purpose of documentary filmmakers.
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